Spotlight Exhibition: MIX: artwork by Maddy Down , Helen Francis and Peter Runeckles

End of Summer by Maddy Down

‘End of Summer’ painting by Maddy Down

From 4th February 2017 to 25th March 2017, The Dorset County Museum will host an temporary exhibition showing the work of three local artists.  They all have a long association with the Museum through their voluntary work in various departments. 

Maddy Down, Helen Francis and Peter Runeckles work in a wide variety of styles and media including oils, watercolour, pastels, textiles and enamels.  They have arrived at this point on their creative journeys by very different routes.

Maddy Down‘s interest in painting was prompted by gaining a degree in Art History at Winchester in 2001.  She was brought up in the Yorkshire Dales but has lived in Dorset for 45 years. The Dorset coast, cliffs and landscapes are her inspiration.  She conveys what she feels rather than a purely literal response.

Helen Francis trained at Loughborough College of Art gaining a BA (Hons) in Textiles specialising in embroidery.  After graduating she worked at the Hampton Court Palace and the Victoria and Albert Museum as a textile conservator.  An interest in historic needlework and costume continues through her work as a volunteer at the Museum.

Influenced by her garden, flowers and everyday objects Helen makes still life pictures using fabric, paint and thread.  Layers of dyed silk are used to create depth and intensity of colour.  Mark making with hand and free machine embroidery are added to accentuate the design.

Peter Runeckles has been painting since his school days when he was taught by R B Talbot Kelly the wildlife artist.  Since then he has worked independently producing paintings and sculptures.  He also joined a print making group at Bournemouth Art College.  Peter’s works in this show include paintings in oil and acrylic, Humbrol enamels, water colours, etchings and screen prints.   Peter has exhibited previously in Poole, Bournemouth and Dorchester.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Meet your favourite Sci-Fi and Superhero characters at the Dorset County Museum

StormtroopersIt’s nearly time for Dorchester Christmas Cracker night. The event that officially kicks off Christmas in the County town takes place this year on Thursday 8 December from 5.00pm.

This year by popular demand, everyone’s favourite Science Fiction and Fantasy Movie and TV characters will be back at Dorset County Museum. Come along to see a host of characters from the Superheroes from the Marvel Universe, Star Wars, Doctor Who and many more….

Delicious mulled wine and mince pies will be available to buy and the Tea Room will be open for tasty snacks and refreshments.  A browse in the Museum shop will reveal a wide range of gift ideas including toys, games, books and jewellery.  The current exhibition Speed to the West: A Nostalgic Journey an exhibition of 20th Century Railway Posters will be on display, with prints and railway memorabilia on sale in the shop for just a few more weeks – another fantastic opportunity to pick up a very special Christmas present.

scifi-and-superheros-at-dorset-county-museumEntry to the Museum on Cracker Night is FREE and everyone is welcome. All the galleries will be open on the night.

For further information and other forthcoming events contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Lunch Time Concert – Dorchester Piano Quartet

Dorchester Piano QuartetOn Thursday 24th November 2016 at 1.00pm, the Dorchester Piano Quartet will be playing a lunchtime concert at Dorset County Museum.

Jennifer Curiel (violin), Pasha Willis (viola), Sally Flann (cello), Peter Oakes (piano) make up the Dorchester Piano Quartet.

The Dorchester Piano Trio was formed when Russell Dawson (violin) and Peter Oakes (piano) played a duo concert and Sally Flann, who was in the audience, introduced herself as a cellist who would be pleased to play Trios. After around ten years of the Dorchester Piano Trio, Russell stood down and Jenny Curiel (violin) and Pasha Willis (viola) joined Sally and Peter to form the Dorchester Piano Quartet.

As a Trio or Quartet we often include solo sonatas, and the November concert includes the wonderful Sonatina for violin and piano by Dvorak. It combines the Czech composer’s love of folk melody with his feeling for American music (he was Director of the National Conservatory of Music in New York from 1892 to 1895.)

The Fauré Piano Quartet sits historically somewhere between the music of Franck and Ravel: it has all the ‘French’ qualities of clarity, beauty and restraint, while being a wonderful concert piece, full of melody, rich harmony and drama.

Thursday 24th November 2016 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

[IMPORTANT NOTICE]

Please note the museum will be temporarily closed from 10am to 12pm on the 24 November 2016. However it will be reopened for afternoon in time for the Dorchester Piano Quartet Lunchtime Concert as published

Exploring museums worldwide with #MuseumWeek 2016

#MuseumWeekDorset County Museum will join museums and galleries across the World on Twitter for #MuseumWeek, a project that will connect people to artwork, culture, history and science in new and interactive ways.

#MuseumWeek 2016 will take place from Monday 28th March – Sunday 30rd April 2016 and will give Twitter users direct and unparalleled access to some of the international leading museums and the people behind them in 140-characters bursts.

@DorsetMuseum

Follow us @DorsetMuseum

Dorset County Museum will join other UK organisations already signed up include the Science Museum (@sciencemuseum), the Natural History Museum (@NHM_London), the Victoria and Albert Museum (@V_and_A), the British Museum (@britishmuseum), and the Tate (@Tate).

Dorset County Museum will join other Museums across the world by including the hashtag #MuseumWeek in their Tweets for the week, meaning users can follow along on Twitter.

 

7 days, 7 themes, 7 hashtags!

In addition, every day there will be a different theme.

#MuseumWeek Secrets#secretsMW – Monday 28 March

Monday is dedicated to discovering your most well-kept secrets! Show a behind-the-scenes glimpse of your museum!

#peopleMW#peopleMW – Tuesday 29 March

Tuesday is dedicated to honor the people-well known or anonymous-who have helped make your museum. Feature your founders, other icons, and current staff members and talk about their expertise!

#architectureMW#architectureMW – Wednesday 30 March

Wednesday is about telling the story of your building(s), your garden(s), your neighborhood or other key locations for your institution. Introduce your museum from a different point of view!

#heritageMW#heritageMW – Thursday 31 March

On Thursday, focus on your tangible and intangible cultural heritage. Help your audience discover the variety of content your institution has on view, in storage or online!

#futureMW#futureMW – Friday 1 April

On friday, share your most innovative projects, your barriers to innovation, your research or your institutional goals, all of which can lead to a greater understanding of your future initiatives and developments!

#zoomMW#zoomMW – Saturday 2 April

Saturday zoom in on your content by sharing details and anecdotes that provide an interesting insight into your collection (e.g, images of hands or frames, anecdotes about the origins of a book …).

#loveMW#loveMW – Sunday 3 April

Sunday, time to share what you love about your place! Take advantage of this opportunity to promote your museum’s greatest attractions (artworks, displays, rooms …) and use Twitter as a helping tool for the visit.

@PliosaurKevan

Follow our #MuseumMascot @PliosaurKevan

A full list of participating UK organisations can be viewed here museumweek2016.org

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Lunchtime concert performance with guitarist Terry Spooner

Terry SpoonerOn Thursday 26th November at 1.00pm, Dorset County Museum is hosting a guitar recital with Terry Spooner, who will be playing an eclectic programme of music including Villa-Lobos, Piazzolla, Morricone and Granados plus some original pieces and a little jazz.

Terry now lives in Dorset, but has been a professional guitarist and guitar teacher for many years, mostly in and around the London area. His playing incorporates elements of classical, jazz, South American and world music. He has played in such musically diverse venues as The Royal Albert Hall (classical), The Marquee (rock) and Ronnie Scott’s (Jazz). He also plays in the guitar / violin duo Ten String Fever with violinist Jane Miller.

Everyone is welcome at this free concert, although to cover costs, a small donation of £3.00 is requested. The concert will take place in the Museum’s Victorian Gallery.

For further information and other forthcoming events contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Sherborne’s Pack Monday Fair

Pack Monday Fair, Sherborne, Dorset 2015

Pack Monday Fair, Sherborne, Dorset 2015

On the Monday after Old Michaelmas Day, 10th October, Sherborne holds its annual Pack Monday Fair, once the Pact or hiring fair. At around midnight on the eve of the fair, the Teddy Roes Band process through the town creating rough music, blowing horns and banging saucepans. This cacophony commemorates the completion of 15th Century repairs on the town’s Abbey under a foreman named Teddy Roe.  Dorset Folklorist, John Symonds Udal mentioned about the traditions of the Pack Monday Fair in his book ‘Dorsetshire Folklore’ published in 1922:

Hutchins (iv.209), speaking of the annual fairs held in the town of Sherborne:

“The first on St. Thomas a Becket’s Day, O.S., upon the green near the site of St. Thomas a Becket’s chapel; the second in St. Swithin’s Street on St. Swithin’s day, O.S ; the third, outside the Abbey Close, on the first Monday after the feast of St. Michael, O.S. This last is the most considerable, and is a great holiday for the inhabitants of the town and neighbourhood. It is ushered in by the ringing of the great bell at 4 a.m., and by the boys and young men perambulating the streets with cows’ horns at a still earlier hour, to the no small annoyance of their less wakeful neighbours. It has been an immemorial custom in Sherborne for the boys to blow horns in the evenings, in the streets, for some weeks before the fair. It is commonly known as Pack Monday Fair, and there is a tradition that Abbot Peter Ramsam and his workmen completed the nave of the abbey and kept a holiday on that day in 1490, and that the name was derived from the men packing up their tools. These fairs are chiefly for cattle, horses, and sheep. At the last woollen cloths and all sorts of commodities are sold. The tolls of St. Swithin’s belong to the Vicar ; those of the others to the lord of the Manor”

In September, 1826, a resident in Sherborne sent to Hone’s Every-Day Book (ii, 654) the following very full description of what goes on at Pack Monday Fair. He says :

“This fair is usually held on the first Monday after the 10th of October, and is a mart for the sale of horses, cows, fat and lean oxen, sheep, lambs, and pigs, cloth, earthenware, onions, wall and hazel nuts, apples, fruit trees, and the usual nick nacks for children, toys, ginger-bread, sweetmeats, sugar plums etc. etc. with drapery, hats, bonnets, caps, ribands, etc. for the country belles, of whom, when the weather is favourable, a great number is drawn together from the neighbouring villages. Tradition relates that this fair originated at the termination of the building of the church, when the people who had been employed about it packed up their tools, and held a fair or wake in the churchyard, blowing cows’ horns in their rejoicing, which at that time was perhaps the most common music in use. ..

The fair has been removed from the churchyard about six or seven years, and is now held on a spacious parade in a street not far from the church. . .

To the present time Pack Monday fair is annually announced three or four weeks previous by all the little urchins who can procure and blow a cow’s horn parading the streets in the evenings, and sending forth the different tones of their horny bugles, sometimes beating an old sauce-pan for a drum, to render the sweet sound more delicious, and not infrequently a whistle-pipe or a fife is added to the band.

The clock’s striking twelve on the Sunday night previous is the summons for ushering in the fair, when the boys assemble with their horns and parade the town with a noisy shout, and prepare to forage for fuel to light a bonfire, generally of straw obtained from some of the neighbouring farmyards, which are sure to be plundered, without respect to the owners, if they have not been fortunate enough to secure the material in some safe part of their premises.

In this way the youths enjoy themselves in boisterous triumph, to the annoyance of the sleeping part of the inhabitants, many of whom deplore, whilst others, who entertain respect for old customs, delight in the deafening mirth. At four o’clock the great bell is rang for a quarter of an hour. From this time the bustle commences by the preparation for the coming scene : stalls erecting, windows cleaning and decorating, shepherds and drovers going forth for their flocks and herds, which are depastured for the night in the neighbouring fields, and every individual seems on the alert. The business in the sheep and cattle fairs (which are held in different fields, nearly in the centre of the town, and well attended by the gentlemen farmers of Dorset, Somerset and Devon) takes precedence, and is generally concluded by twelve o’clock, when what is called the in-fair begins to wear the appearance of business-like activity, and from this time till three or four o’clock more business is transacted in the shop, counting-house, parlour, hall and kitchen than at any other time of the day, it being a custom of the tradespeople to have their yearly accounts settled about this time, and scarcely a draper, grocer, hatter, ironmonger, bookseller, or other respectable tradesman but is provided with an ample store of beef and home-brewed October, for the welcome of their numerous customers, few of whom depart without taking quantum suff: of the old English fare placed before them.”

“Now,” Hone’s correspondent goes on to say,—” is the town alive.” And he tells us of the usual merry sights of a country fair—the giant, the learned pig, the giantess and dwarf, the conjuror, the managerie of wild beasts, the merry-go-round, the lucky bag, the Sheffield hardwareman with his wonderful display of cheap cutlery, the inevitable Cheap Jack offering everything for next-to-nothing—for fuller details of which I would refer my readers to his account. And he concludes with the following remarks :—

“This is Pack Monday fair, till evening throws on her dark veil, when the visitors, in taking their farewell, stroll through the rows of ginger-bread stalls … By this time the country folks are for jogging home, and vehicles and horses of every description on the move, and the bustle nearly over, with the exception of what is to be met with at the inns, where the lads and lasses so disposed, on the light fantastic toe, assisted by the merry scraping of the fiddle, finish the fun, frolic, and pastime of Pack Monday fair.”

Some sixty years later Mr. E. Archdall Ffooks – the present clerk of the peace for the county of Dorset, and then a resident in the neighbourhood of Sherborne — at my request for information as to the modern proportions of the fair, wrote me a letter in which he says :

Cow’s horn found in a garden in Westbury, Sherborne. It was played in Teddy Roe's Band preceding the Pack Monday Fair.

Cow’s horn found in a garden in Westbury, Sherborne. It was played in Teddy Roe’s Band preceding the Pack Monday Fair now on display at the Sherborne Museum

“The old custom of horn blowing has now, through the aid of the police, been reduced to reasonable limits. A few years ago small boys blew horns at all hours of the day and night until their bed-time for more than a month before Pack Monday Fair. Then the inhabitants complained of the nuisance, and the police were instructed to prevent it and to take away the horns, with the result that now only a few occasional horns are heard for about a week beforehand. On Sunday evening about 10 p.m. on October 12th (1884) a few horns in different parts, calling together those who were to take part in the march round, were heard ; and these gradually increased in number and became mingled with an occasional tin tray etc. until 12 o’clock, when the whole body of about 300 assembled at the Antelope Hotel moved off in no particular order and marched once all over the town, starting down Cheap Street and then passing through as many as possible until all the most important had been visited, keeping up an incessant din the whole time with horns, bugles, and all sorts of tin trays etc. that would make a noise. About 2 a.m. the town is allowed to go to sleep.This is what is left of the old custom, and seems likely to last in about its same proportions until something puts an end to Pack Monday Fair itself.”

  • Sherborne Museum is currently exhibiting a Dorset Folklore exhibition in conjunction with Dorset County Museum until 17th December 2015. For more information visit www.sherbornemuseum.co.uk

TV Historian Dan Snow visits Dorset County Museum for his latest TV Series

Dan Snow with Dr. Louise Loe -  Andy Worth/Dorset County Museum © 2015

Dan Snow with Dr. Louise Loe – Andy Worth/Dorset County Museum © 2015

On Wednesday the 19th August 2015, TV Historian, Dan Snow came to the Dorset County Museum to film his latest BBC TV series exploring the age of the Vikings.
This programme will feature the discovery of a mass grave of skeletons in 2009 on Ridgeway Hill during the construction of the Weymouth Relief Road in Dorset. Around 50 skeletons, predominantly of young Scandinavian adult males, were found in an old quarry pit. All had been decapitated. Their heads had been placed in a pile located at one edge of the grave.

Dr. Louise Loe, Head of Heritage Burial Services at Oxford Archaeology discussed with Dan the evidence in identifying these individuals, their origins and even their state of health.
The remains of these Ridgeway Vikings and other important archaeology treasures will be on permanent display in the museum’s newly refurbished Ancient Dorset Gallery. The refurbishment of this gallery has been supported by the Heritage Lottery Fund, Area of Outstanding Natural Beauty South Dorset Ridgeway Landscape Partnership Scheme, Dorset County Council, West Dorset District Council and Alice Ellen Cooper-Dean Charitable Foundation.

The Ancient Dorset gallery at Dorset County Museum will become the visitor centre for the South Dorset Ridgeway. Ultimately it will link in with information panels to be displayed along the ridgeway itself helping visitors explore this area which is rich in heritage. This landscape is considered by many to be as important as Stonehenge and Avebury for revealing the lives of our ancestors. The ridge of high land, running parallel with the coast between Weymouth and Dorchester has been an important place for people for over five thousand years. It has over 1,000 monuments that record the history of the Ridgeway since that time.

Jon Murden, director of Dorset County Museum said “The archaeology of Dorset is the history of over 400,000 years of human habitation in the county – our collections are nationally significant and cover the entire period from Palaeolithic times to Saxon and Viking Dorset, so it will be especially exciting for the Museum to be featured in this programme which will be screened later this year.”

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Tripadvisor “Certificate Of Excellence 2015” awarded to Museum

Volunteer, Nicole Englehardt and Front of House Manager, Alison Goff with the Certificate of Excellence from TripAdvisor

Volunteer, Nicole Englehardt and Front of House Manager, Alison Goff with the Certificate of Excellence from TripAdvisor

Recognised as a top performing Museum as reviewed by travellers on the World’s largest travel site, Dorset County Museum is thrilled to announce that it has received a TripAdvisor Certificate of Excellence Award for the third year in a row.

Now in its fifth year, the award celebrates excellence in tourist attractions and is given only to establishments that consistently achieve great reviews on TripAdvisor. Certificate of Excellence winners include attractions located all over the world that have continually delivered a superior customer experience.

When selecting Certificate of Excellence winners, TripAdvisor uses a proprietary algorithm that takes into account the quality, quantity and recency of reviews and opinions submitted by travellers on TripAdvisor over a 12-month period, as well as each attraction’s tenure and ranking on the Popularity Index on the site. To qualify, an attraction must maintain an overall TripAdvisor bubble rating of at least four out of five, have a minimum number of reviews and must have been listed on TripAdvisor for at least 12 months.

“Winning the TripAdvisor Certificate of Excellence is a true source of pride for the entire team at Dorset County Museum, and we’d like to thank all of our past guests who took the time to complete a review on TripAdvisor,” said Dr Jon Murden, Director of the Dorset County Museum. “There is no greater seal of approval than being recognised by your customers. With the TripAdvisor Certificate of Excellence based on customer reviews, the accolade is a remarkable vote of confidence in the Museum and our continued commitment to excellence.”

“TripAdvisor is pleased to honour exceptional hospitality businesses that have received consistent praise and recognition by travellers on the site,” said Marc Charron President, TripAdvisor for Business. “By putting a spotlight on hospitality businesses that are focused on delivering great service to customers, TripAdvisor not only helps drive increasing hospitality standards around the world, it also gives businesses both large and small the ability to shine and stand out from the competition.”

For the love of Dorset: The opening of Dorset County Museum’s new exhibition ‘A Poetic Eye’ with special guest Sir David Attenborough

John Craxton ExhibitionFriday evening saw Dorset County Museum’s Victorian Gallery filled with visitors eagerly awaiting their opportunity to get the first glimpse of the museum’s latest exhibition of John Craxton’s art (1922-2009); from his time in Dorset through to his days in Crete. The exhibition is a wonderful chance to see many of Craxton’s private paintings for the very first time. Never before has such an extensive collection of Craxton’s works been shown together and allows the spectator to experience and follow his journey as a man and an artist; from his early days in rural Dorset in war-time, to his discovery of the vibrancy of life in Greece.

Curator of the exhibition, Ian Collins, Sir David Attenborough and Director of the Dorset County Museum, Dr. Jonthan Murden

Curator of the exhibition, Ian Collins, Sir David Attenborough and Director of the Dorset County Museum, Dr. Jonthan Murden

‘Poetic Eye’ shows Craxton’s obsession and love of rural Dorset’s landscape and his torment and feelings of imprisonment which came from England in war-time. Ian Collins, curator of ‘Poetic Eye’, described Craxton’s time in Dorset as ‘the place where he really found himself’. Craxton’s love of Dorset is shown so clearly in his many depictions of the local landscape which Collins’ attributes to his ‘love of Dorset, of the landscape, of the mythology of Dorset, and the legends of Dorset’.

The latter half of his career, and shown beautifully within the exhibition, depicts his transformation as an artist when he moved to Crete. The vibrancy of colours which he uses shows his true development as an artist and as a man who during his time in Greece brought out of him. The exhibition is very much Dorset based and shows an artist who wasn’t concerned with selling his paintings or even being part of the ‘art scene’ and has consequently, been ignored. ‘Poetic Eye’ uncovers one of Europe’s great artists of 20th Century and one of Europe’s most forgotten artists.

The Opening: Sir David Attenborough and the man behind the paintings.

Sir David Attenborough

Sir David Attenborough

Dorset County Museum warmly welcomed Sir David Attenborough and renowned art critic, Hilary Spurling to officially open the exhibition. Guests at the museum, were treated to Sir David and Hilary’s own personal accounts of what this exhibition meant to them. Sir David, who was close friend of John Craxton for over twenty five years, as well as a collector of his art works, gave a personal insight into not only Craxton the artist but Craxton the man. Sir David began by congratulating Dorset County Museum on securing such an important exhibition which shows both sides of John Craxton’s journey as an artist; from his war-time yearnings of an introverted painter, to his invention of line and use of coloured line to capture the vibrancy and colour of Crete. Sir David told amusing stories about his friend’s dislike for parting with his works, telling tales of Craxton taking pictures back after he had bought them because he wouldn’t accept they were perfected. Sir David described the exhibition as combining, ‘meaning, excitement and vibrancy’ as well as giving a heartfelt thanks to both Ian Collins, the curator of the exhibition, and Dorset County Museum for bringing Craxton back to Dorset and giving him the recognition as one of England’s great artists that he so deserves.

Hilary Spurling OBE

Hilary Spurling OBE

Hilary Spurling echoed Sir David’s gratitude to Dorset County Museum describing ‘Poetic Eye’ as bringing back to life a painter that has been previously ‘forgotten’. She went on to describe the exhibition as, ‘rediscovering Craxton and showing him in a richness and fullness that his contemporaries never had the chance to see’. She closed her thought-provoking speech by saying, ‘Craxton is very lucky to have Ian and we are also very lucky because it is us who reap the fruits’.

All that’s left to say, is don’t miss your chance to visit Dorset County Museum and see the ‘Poetic Eye’ exhibition which has so many people captivated by a man who’s paintings have previously gone under the radar. Craxton seems to finally be getting the recognition he deserves as one of Dorset’s and Europe’s great artists and the people of Dorset welcome home one of their great achievers.

A Poetic Eye: John Craxton on Cranborne Chase and Crete. exhibition is running until 19th September 2015. For more information, please visit www.dorsetcountymuseum.org or contact the museum directly on 01305 756827

Gabriella Crouch

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Come and Smile at a Crocodile….

The Swanage Crocodile - Goniopholis kiplingi

The Swanage Crocodile – Goniopholis kiplingi

A 140 million year old crocodile found on the Jurassic Coast is going on display at Dorset County Museum.

The 60cm long skull dates from the Cretaceous Period of geological time, around 140 million years ago. It was found in 2007 near Swanage by Richard Edmonds, Earth Science Manager for the Jurassic Coast World Heritage Site team. Richard said, “It was a really lucky find. A part of my job is to monitor the condition of the rocks and fossils along the World Heritage Site but you don’t expect to find something this spectacular without spending a lot more time on the coast. I have collected fossils for thirty years but this is a once in a lifetime find.”

The ‘Swanage Snapper’ fossil has recently been studied at Bristol University and has been found to be a new species. The full name is Goniopholis kiplingi in homage to British author and nature enthusiast Rudyard Kipling whose crocodile characters feature in stories such as the Just So Stories tales. He would have enjoyed the idea of this prehistoric creature waiting just under the surface of a warm freshwater lagoon to ambush unsuspecting prey. Dinosaurs emerging from lush tropical foliage to take a drink would have been gripped by powerful jaws and rolled beneath the water until drowned or crushed to death.

Just So Stories by Rudyard Kipling

Just So Stories by Rudyard Kipling

However, this crocodile did not have everything its own way – on top of the skull are bite marks from another crocodile, possibly even larger, which bit down with such force that the conical marks of its teeth are still visible today. The crocodile skull is very well preserved, having been buried quite rapidly by lagoon sediment, although its teeth rotted out before this took place. It was slightly flattened by the sediment’s weight before it hardened into rock and is surrounded by fossil shellfish, along with a turtle shell plate and a poo (thankfully fossilised too). Curators at Dorset County Museum are grateful to Jurassic Coast Trust for funding the project and Mowlam Metalcraft for providing the mount for the new display.

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