Exploring museums worldwide with #MuseumWeek 2017

#MuseumWeekDorset County Museum will join museums and galleries across the World on Twitter for #MuseumWeek, a project that will connect people to artwork, culture, history and science in new and interactive ways.

#MuseumWeek 2017 will take place from Monday 19th  – Sunday 25th June 2017 and will give Twitter users direct and unparalleled access to some of the international leading museums and the people behind them in 140-characters bursts.

Last year, audiences have been able to engage with a massive, wide and versatile cultural production: in one week, 664.000 tweets were seen more than 294 million times!

@DorsetMuseum

Follow us @DorsetMuseum

Dorset County Museum will join other UK organisations already signed up include the Science Museum (@sciencemuseum), the Natural History Museum (@NHM_London), the Victoria and Albert Museum (@V_and_A), the British Museum (@britishmuseum), and the Tate (@Tate).

Dorset County Museum will join other Museums across the world by including the hashtag #MuseumWeek in their Tweets for the week, meaning users can follow along on Twitter.

 

7 days, 7 themes, 7 hashtags!

In addition, every day there will be a different theme.

A tribute to women

#MuseumWeek

#MuseumWeek is committed to the cause of gender equality, so they have decided to dedicate 2017 to all women in the World. Thus, on top of the regular daily hashtags mentioned here below, we would really love to see some of your publications around the “Women and Culture” theme with #WomenMW, whenever you can during the week. Contents related to this theme will have more chances to be republished on our official channels!

#FoodMW – Monday 19 June

Who doesn’t love visiting Museum cafés? After a visit there’s nothing better than sitting back and taking it all in with a coffee, but what food related art or exhibits actually in the museum is there anything you particularly love? Or is that café chocolate cake just a work of art in itself! Share today with #FoodMW!

#SportsMW – Tuesday 20 June

Sometimes it feels like we have to be an Olympic hurdler just to get over the daily obstacles put in our way, but what about the sports related items in our collections? Do you have something iconic, important locally or just plain odd that relates to sports? Share today with #SportsMW

#MusicMW – Wednesday 21 June

Did you know 21st June is officially #MusicDay2017! What music or song reminds you of an item in your collection? Do you have items relating to a famous musician or instruments on show or in storage that could be revealed? Share with #MusicMW today!

 #StoriesMW – Thursday 22 June

Who doesn’t love a story? Share stories about your institution, collections, pieces of Art or any objects! Or do you have something related to fairy tales or a famous story that’s been told….or still to tell? Remember that visitors also have stories to share too, involve them as much as possible! Share with #StoriesMW

#BooksMW – Friday 23 June

“A room without books is like a body without a soul.” – What books do you have in your collection? Why are they important or interesting? What books have inspired items in your collection? Is there something once owned by an author? Do you have books in your Museum shop? What’s the best seller? #BooksMW! Pssst, don’t forget the Bookselfies and bookshelfies!

#TravelsMW – Saturday 24 June

Many museums and collections were formed as a result of travels, what items in your collection have arrived at the museum from someone travelling? What about how travelling has changed? From early sea vessels to the first bicycles, share these collections today with #TravelsMW

#HeritageMW – Sunday 25 June

Celebrating and preserving heritage is our work of every day. What do you do for helping your audience to increase access to and to sustain heritage collections? Do you also have valuable collections in storage or online? In all its forms, heritage crystallizes our past and stimulates creativity; they are linked to culture and environment of our families, communities and nations. That is why we should protect them and pass them to the future generations. Celebrate them today with #HeritageMW.

@PliosaurKevan

Follow our #MuseumMascot @PliosaurKevan

A full list of participating UK organisations can be viewed here museum-week.org

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Nautilus Exhibition at the Dorset County Museum extended to 30 May 2017

Nautilus: Beautiful Survivor - 500 million years of evolutionary

Book: Nautilus: Beautiful Survivor – 500 million years of evolutionary by Wolfgang Grulke

Dorset County Museum’s spotlight exhibition ‘Nautilus: Beautiful Survivor – 500 million years of evolutionary history’ based on the book by Wolfgang Grulke has been extended until the end of May this year to enable even more people to come and enjoy it.

This exhibition showing many of the cultural objects, fossils, shells and artefacts featured in the book, celebrates the long history of Nautilus, its role in human culture and the realities of its life today.

Wolfgang Grulke and his collection of Ammonites

Wolfgang Grulke

Wolfgang said “The Chambered Nautilus is one of the oldest living things on our planet. Since the dawn of civilisation its form has inspired artists, designers and architects. Nautilus has survived whatever the world has thrown at it for more than 500 million years, persisting even as dinosaurs and many other life forms vanished. Now, however, some believe it could become extinct within a generation.  We are donating 100% of the proceeds of this book to Nautilus research and we hope that one of the projects will help find this rarest of animals and film it for the first time.”

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Exploring museums worldwide with #MuseumWeek 2016

#MuseumWeekDorset County Museum will join museums and galleries across the World on Twitter for #MuseumWeek, a project that will connect people to artwork, culture, history and science in new and interactive ways.

#MuseumWeek 2016 will take place from Monday 28th March – Sunday 30rd April 2016 and will give Twitter users direct and unparalleled access to some of the international leading museums and the people behind them in 140-characters bursts.

@DorsetMuseum

Follow us @DorsetMuseum

Dorset County Museum will join other UK organisations already signed up include the Science Museum (@sciencemuseum), the Natural History Museum (@NHM_London), the Victoria and Albert Museum (@V_and_A), the British Museum (@britishmuseum), and the Tate (@Tate).

Dorset County Museum will join other Museums across the world by including the hashtag #MuseumWeek in their Tweets for the week, meaning users can follow along on Twitter.

 

7 days, 7 themes, 7 hashtags!

In addition, every day there will be a different theme.

#MuseumWeek Secrets#secretsMW – Monday 28 March

Monday is dedicated to discovering your most well-kept secrets! Show a behind-the-scenes glimpse of your museum!

#peopleMW#peopleMW – Tuesday 29 March

Tuesday is dedicated to honor the people-well known or anonymous-who have helped make your museum. Feature your founders, other icons, and current staff members and talk about their expertise!

#architectureMW#architectureMW – Wednesday 30 March

Wednesday is about telling the story of your building(s), your garden(s), your neighborhood or other key locations for your institution. Introduce your museum from a different point of view!

#heritageMW#heritageMW – Thursday 31 March

On Thursday, focus on your tangible and intangible cultural heritage. Help your audience discover the variety of content your institution has on view, in storage or online!

#futureMW#futureMW – Friday 1 April

On friday, share your most innovative projects, your barriers to innovation, your research or your institutional goals, all of which can lead to a greater understanding of your future initiatives and developments!

#zoomMW#zoomMW – Saturday 2 April

Saturday zoom in on your content by sharing details and anecdotes that provide an interesting insight into your collection (e.g, images of hands or frames, anecdotes about the origins of a book …).

#loveMW#loveMW – Sunday 3 April

Sunday, time to share what you love about your place! Take advantage of this opportunity to promote your museum’s greatest attractions (artworks, displays, rooms …) and use Twitter as a helping tool for the visit.

@PliosaurKevan

Follow our #MuseumMascot @PliosaurKevan

A full list of participating UK organisations can be viewed here museumweek2016.org

Follow us on Twitter:

The Naming of the Shrew: A Curious History of Latin Names by John Wright

The Naming of the Shrew:  A Curious History of Latin Names  by John Wright

The Naming of the Shrew: A Curious History of Latin Names by John Wright

This talk at Dorset County Museum takes its name from speaker John Wright’s book, and promises to be interesting and amusing in equal measure. Have you ever wondered about the Latin names given to flora and fauna? Well, now is your chance to come along and find out just how fun taxonomy, the science of classification, can be!

John Wright explains, “Latin names are frequently unpronounceable, a puzzle to unravel and often extraordinarily rude. In short, surprisingly hilarious. You’ll never have guessed taxonomy could be so much fun!”

John Wright is a Fellow of the Linnean Society, a passionate natural historian and author of several River Cottage handbooks including Mushrooms, Edible Seashore, Hedgerow and Booze. After the talk, he will be signing copies of his book The Naming of the Shrew: A Curious History of Latin Names.

This FREE talk is open to all. To cover costs, a small donation of £3 is encouraged. The talk will take place in the Museum’s Victorian Gallery on Wednesday 11th November, 7.00pm (doors open at 6.30pm).

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Proceedings of the Dorset Natural History and Archaeological Society Vol 136 – 2015

Proceedings of the Dorset Natural History and Archaeological Society Volume 136 - 2015Remarkable archaeological finds, controversy over the latest film version of Far from the Madding Crowd and ‘the world’s biggest bite’ marine reptile exhibit are revealed in the new style annual just published by the Dorset County Museum.

Read about the pliosaur, the Museum’s latest marine reptile fossil exhibit, a fearsome creature which had the largest bite in the world. Experts discuss new film version of Thomas Hardy’s Far from the Madding Crowd. Finds from the excavations at the Durotriges village excavations at Winterbourne Kingston and the major Roman villa excavation at Druce farm are detailed. Plus over twenty other major articles.

“We are really excited about the latest volume which looks great and has lots of fascinating articles,” says Dr Paul Lashmar, the journal’s editor. “These are scholarly papers but we pride ourselves that they are very readable so there is something in every edition to delight the casual reader or visitor to Dorset.”

Weymouth Bay Pliosaur Skull © DCM

Weymouth Bay Pliosaur Skull © DCM

The new volume features original line drawings on the cover that were used to illustrate the Cornhill Magazine serialisation of Hardy’s Far from the Madding Crowd in 1874.

“With its classic yet unique British countryside and a long and enthralling history Dorset is a remarkable county. Home too many great writers and artists Dorset can also boast the best prehistoric landscape in Britain and the geological wonders of the Jurassic Coast. The annual, the Proceedings of the Dorset Natural History and Archaeology Society 2015 celebrates everything that is fascinating and important about Dorset.in the last year,” says Dr Lashmar.

Druce Farm Roman Villa

Druce Farm Roman Villa

While Dorset inspires many books, papers and articles, only Proceedings publishes with regard to academic scholarship. From its home at the Dorset County Museum Proceedings has published for 136 years a remarkable annual collection of scholarly papers, monographs and reports from a wide range of disciplines in the furtherance of knowledge and understanding.

CONTENTS:

PAPERS

  • What Tess meant to Hardy, and why Keith Wilson
  • Far from the Madding Crowd (2015) Directed By Thomas Vinterberg. A review Paul J. Niemeyer
  • How to get a head in Dorset County Museum: The tailless tale of Pliosaurus kevani Jenny Cripps
  • The environmental quality of the Sherford River (Dorset) assessed with macroinvertebrate data – Patrick D. Armitage, J.A.B. Bass & Adrianna Hawczak
  • Underwater light-trapping of mobile invertebrates in the Fleet lagoon, Dorset – Nina Wills, J. A. B. Bass & J. I. Jones
  • ‘Gone for a Burton’: Thomas Arthur Burton (1842-1936), musician & composer, and his family (from Leicestershire, Derbyshire, Cotswolds, Hampshire & Dorset) – Hugh S. Torrens
  • Mrs Alicia Moore, dedicatee of Henry Rowland Brown’s 1859 guidebook Beauties of Lyme Regis – Michael A. Taylor
  • A token found at Lyme Regis, Dorset, England, apparently associated with Mary Anning (1799–1847), fossil collector – Michael A. Taylor & Richard Bull
  • The Dorset Hundreds from the early nineteenth century – J. W. Hart

ARCHAEOLOGY

  • Dorset Archaeology in 2014
  • Portable Antiquities Scheme 2014 – Ciorstaidh Hayward Trevarthen
  • Preston: Bowleaze Cove Romano-British building – Iain Hewitt And Grace Jones
  • Observations at Church Street, Christchurch – Michael Heaton with a contribution from Professor Malcolm Thurlby
  • Interim Report: Druce Farm Roman villa, Puddletown – Lilian Ladle And Andrew Morgan
  • Excavation of a Romano-British well at Farnham – Martin Green, Mark Maltby & Rob Perrin
  • Mortlake and Grooved Ware pottery associated with worked stone in a pit at Lambert’s Hill, Winterbourne Abbas, Dorset – Richard Tabor, With A Contribution By Cheryl Green
  • The Old Manor, Stratton – Rosemary Maw
  • The Thompson’s clay canal – A clay-working enterprise near Lytchett Bay, Poole in the 1830s – Bryan Gambier, Alan Hawkins And Keith Jarvis
  • Witchampton chess pieces – Gill Vickery
  • The Durotriges Project, Phase Two: an interim statement Miles Russell, Paul Cheetham, Damian Evans,Karina Gerdau-Radonic, Ellen Hambleton, Iain Hewitt, Harry Manley, Nivien Speith and Martin Smith
  • The Development of Properties inside the southern defences of Roman Durnovaria: an excavation at Charles Street, Dorchester – Andrew B. Powell with Contributions From Kirsten Egging Dinwiddy, Rachael Seager Smith & J.M. Mills

Proceedings are available from the Museum Shop Price £20.00. However if you become a member of the Dorset Natural History and Archaeology Society the price is £15.00. For more details about membership contact the the membership secretary on 01305 756829 or visit the website for more details www.dorsetcountymuseum.org

For further information and enquires about the Proceedings contact the editor Dr. Paul Lashmar on 01305 262735

The Chickerell Plesiosaur – Cimoliosaurus richardsonii

Plesiosaur

Plesiosaur

From the ‘Proceedings of the Dorset Natural History and Archaeological Society’ Volume 10, 1889, an article written by by John Clavell Mansel-Pleydell, Esq., F.L.S, F.G.S. entitled ‘Cimoliosaurus richarsoni , Lydekker (n. sp.) 

Towards the end of the Mesozoic age a remarkable diminution of the huge reptiles which swarmed in the seas of that period commenced, and at the beginningof the succeeding age, Tertiary their annihilation was nearly complete, occasioned by great physical changes, especially affecting the relative positions of land and sea, the sea predominating largely “over the land in Europe. We pass from strata of considerable uniformity and of immense thickness over large and extensive areas to beds of a great variety of structure, from deep to shallow seas, estuaries, and rivers. With one or two doubtful exceptions, not a single Mesozoic species passed up into the Tertiary strata; the numbers of the new genera and species, greatly exceeding those of the previous age. Western Europe at this period had four considerable seas instead of one as now — the Anglo-Parisian, the Pyrennean, the Mediterranean, and one which covered the western parts of France from Normandy to Nantes.

As the chalk rose above the sea and underwent extensive denudation, a material diminution of temperature resulted, mainly through alterations of the ocean currents, which occasioned a disastrous result upon reptile life. During the deposition of the oolitic beds there was a complete uniformity, for, although occasional subsidences occurred, as shewn by the Oxford and Kimmeridge clays, with evidences of tide-level and shore conditions, no great or important break occurred. At the commencement of the Cretaceous age, on the other hand, there was a gradual submergence of land, accompanied by a considerable extension of the sea-area.

The marine beds of Punfield, near Swanage, which rest upon the great fresh-water deposits of the Hastings sands, are a good illustration of this initiatory change. Its effects are remarkably shown in the Yale of Blackmore, where, there is a great overlap or covering over of the upper oolitic beds by the chalk. The Hastings sands, Purbeck beds, and Portland strata are hidden, causing an apparent unconformity of the beds, as if the Lower Greensand had succeeded the Kimmeridge clay directly, without first covering over the intervening beds. Another subsidence and consequent invasion of the sea occurred during the deposition of the Upper Greensand, which spread itself over the oolitic formations as it passed on westwards, finally resting on the Trias of East Devon.

These changes materially affected the climate and temperature of those parts which came under their influence, especially through the alteration of ocean-currents. What would the climate of the greater part of Europe be, if the Gulf Stream was stopped or deflected? The Atlantic would be deprived of one-fifth of the amount of heat it is now receiving in addition to what it has in virtue of the temperature of space. The temperature would be lowered to a condition of climate as severe as that of North Greenland at the present day. If, again, the warm currents of the North Pacific were to be stopped, the northern hemisphere would be subjected to an entire glaciation. The fossils of the Palaeozoic age seem to indicate a uniform mild or temperate condition of climate, but not so in the succeeding Carboniferous age, which shows signs of reaction.

The late Mr. Godwin Austin found large angular blocks in the carboniferous strata of France, which could only be accounted for by referring their inclusion to the agency of ice-carriage, by glacier or iceberg. Large blocks of granite are met with in Scotland in the detrital beds of the coal-basins, which Professor Geikie and other eminent geologists attribute to glacial action. A large block of crystalline rock resembling granite was found embedded in a pit of white chalk near Croydon, and with it were other smaller boulders, all water-worn and composed of a different kind of rock, together with a compact mass of silicious sand derived from the waste of coast line of crystalline rocks, of which there are none in the neighbourhood of Croydon.

All had sunk together without separating, and must have been firmly held together both during the time that they were floating, and whilst sinking to the bottom of the cretaceous sea. Independent of seasonal changes, circulation between the surface and thesea-depths is aided by the co-operation of heat and gravitation. The Gulf of Mexico, which is not exposed to any cold supply of water from the North Pole, is a perfect reservoir of heat; further north, close to the shore of Massachusetts, is a cold current running southwards 60 or 80 miles wide. There are thus two currents of different temperatures running side by side in opposite directions and only mingling, where their edges impinge upon each other. Again, the Gulf Stream divides itself into several channels, the water of which is warm where the channels are deep, and cold in the shallower channels, occasioned by the water, low in temperature, rising from considerable depths over submarine elevated ridges.

We can now see the influence ocean-currents had, as they have now, upon determining the temperature of the globe, and the consequent disastrous effect upon cold-blooded reptiles when suddenly lowered. We have not time to dwell further upon this part of the subject, nor to show that Europe had not at the commencement of the Tertiary age its present continental character) but an insular one, giving free access to the polar currents without the counteracting exchange of warm equatorial currents.

The nearly complete fossil before us belongs to that section of the extinct reptilian class included in the Order Enaliasaurian or sea-lizards, but subsequently divided by Sir Richard Owen, G.C.B., F.R.S., into the Iclitliyopterygia and Sauropterygia; the former represented by the genera Baptanodon, Opthalmosaurus and Ichthyosaurus, the latter by several genera. Until the year 1841 Plesiosaurus was the only representative of this order in Great Britain.

At that date Sir Richard Owen removed from it two species, Plesiosaurus grandis and Plesiosaurus troclianterius, under a new genus Pliosaurus. The fossils of this genus were first founded upon two limbs, one of which is preserved in the British Museum, ,the other in our County Museum. It had an enormous head, supported by a short neck, in which it approached the great freshwater Saurians of the present day, with characteristic vertebrae, having a tubercular rising in the centre of the centrum, and resembling Plesiosaurus in its fin-bones and elongated phalanges. Their vertical range was restricted to the middle and upper oolites, whereas Plesiosaurus extended from the Rhætic beds right through to the chalk. Plesiosaurus is characterised by a very long neck and a short tail. The vertebrae are deeper and more solid than those of Ichthyosaurus; the neural arches are ancliylosed with strong outstretched transverse blades to strengthen the spinal column and to sustain the strain upon it in shallow water ; coast-lines, estuaries, and rivers probably being the usual resorts of these monsters.

Their remains have been found in the Wealden freshwater deposits. Ichthyosaurus, on the other hand, lived in. the deep seas, visiting the land only occasionally. It has a weak spinal column : the two faces of the centrum nearly meet in the centre, and the neural arches are unanchy-losed, in which respect it differs from Plesiosaurus. The Immerus and femur of some Plesiosauri — e.g., Plesiosaurus Manselii have a third bone in addition to the ulna and radius, and to the tibia and fibula, which T. W. Hulke, Esq., F.R.S., names the os intermedium and places it between the ulna and radius, tibia and .fibula, the homologue of which is found in the front and hind limbs of some living Saurians. A very interesting morphological question arises as to the possibility of tracing the homology of these bones and their relation to the carpal and tarsal elements of the higher vertebrates.

I have already referred to this splendid Plesiosaurian specimen in my paper on the fossil reptiles of Dorset, and expressed my opinion that it might possibly turn out to be Plesiosaurus plicatus of Phillips. I am now inclined to change my mind and to call it Murcenosaurus Leedsii Seeley, a subgeiius of Plesiosaurus characterised by its shoulder and pelvic girdles having only one coraco-scapula and one obturator foramen, and by a difference in the union of the neural arches, as well as by distinct forms of the ulna and radius, tibia, and fibula. Possibly these differences will not be held sufficient by Mr. Lydekker to justify Professor Seeley’s separation. This palaeontologist is now engaged in tabulating and arranging the fossil reptilian remains in the British Museum ; the result of his labours on the Crocodilia and Deinosauria will soon be before the public, as the volume is now in the printer’s hands, and will be doubtless as invaluable an addition to Paleontological literature as are his five volumes upon the Fossil Mammalia of our National Museum.

Cimoliosaurus richardsoniidiscovered at Chickerell, near Weymouth by Nelson and Helen Richardson in 1889

Cimoliosaurus richardsonii discovered at Chickerell, near Weymouth by Nelson and Helen Richardson in 1889 DCM © 2015

The remains of this Plesiosaur were found in a bed of Oxford clay in the neighbourhood of Weymouth last winter, and through the indefatigable and intelligent industry of Mr. and Mrs. Richardson, of  ‘Montevideo,’ they have been built up in their present satisfactory condition. The head is missing, which is not surprising, as having only one articulation with the neck, and that an exceedingly small one, it possibly became detached before the carcase settled down in its grave of clay ; that a considerable time elapsed previous to its being finally covered over may be inferred by the aggregations of oyster shells upon the vertebrae and bones, which could only have been attached when the body was uncovered. The spinal column consists of 71 vertebras, of which 31 are cervicals, 19 dorsals, 2 sacrals, and 19 caudals. The shoulder-girdle is nearly complete, consisting of coracoids,- scapulas, and pre-scapulse, two fore and one hind limb (humerus and femur), small portions only of the pubes, the ischia and ilia, radius, ulna, tibia, fibula, carpal, and metacarpal bones, several phalanges, and ribs.

Cimoliosaurus richardsonii

Cimoliosaurus richardsonii DCM © 2015

VERTEBRAE. — The dorsal vertebras resemble the last two cervicals, the centrum is rough, its height and length about equal, and both shorter than the breadth. In the fore part of the dorsal region the neural spines are inclined backwards, they then become vertical, and afterwards incline forwards. The neural-arches are not well preserved, only a few retaining their transverse processes. The centra are altered in form to allow the ribs to be raised, on the neural arch; their sides are compressed with a foramen near the middle of some ; the neural spines widen and are extremely compressed from side to side ; the position of the transverse processes remain the same throughout. The cervical and caudal vertebrse are characteristics of this long-necked, short-tailed family, by the non-attachment of the ribs to the shoulder-girdle of the former, and by the long chevron bones of the latter.

PECTORAL GIRDLE. — The coracoids have a short median symphysis five inches long; and diverge from their posterior border, taking an outward diagonal direction, and terminating hy a convex sweep outwards into an extremely thin dilated plate. The bones are thickest where the scapula and humerus articulate, forming a transverse ridge or keel. This ridge is equally marked on the dorsal as well as the ventral surface. Their width immediately behind the articulation is 15 inches, the least width across is 20 inches. The length of the scapular-articulation is three inches, looking obliquely and forward, and lies in front of the ridge. The scapula consists of a plate which is anchylosed to the coracoid, and from which a bone rises and ascends towards the dorsal surface, making an angle of about 50° with the central plate. This plate is 6in. long and 4in. broad. The inner margin, which is thin and concave at the base, is a continuation of the curve of the front border of the coracoid bone. There is 110 indication of clavicle or inter-clavicle bones. The inner margin of the ascending plate is concave, the outer straight. The coraco-scapular foramen,(It appears from a complete restoration now made by Mr. Richardson of the pectoral girdle that the coraco-scapular foramen was divided by a median bony bar as is now known to be the case in C. plicatus (Leedsii), of which the original restoration was erroneous.) one of the differences upon which Professor Seeley forms his genus Murcenosaurus, is not subdivided into two foramina, as is the case with many of this family. This continuous foramen is bounded laterally by the concave inner border of the scapula and posteriorly by the anterior margin of the coracoid. It is 14in. wide from side to side and 4in. from the anterior to the posterior margins.

PELVIC BONES. — The pubes are thin, a small portion only of them is preserved, and there is no indication of the syinphysis, this part of the bone being unfortunately lost. The outer margins are compressed from side to side, and are not so deep as those of the coracoid. The length is 18¾ in. Both the ischia are well preserved. Their length from the median line to the femoral margin is 8in. ; breadth at distal end, 5⅛in.; at proximal end, 8¼in.; at the narrowest part, 2¼|in. The iliac bones are expanded at both extremities, so as to extend over the upper part of the head of the femur.

HUMERUS. — The third part of the proximal end of the humerus is cylyndrical and thick ; it then widens into a broad distal end, shewing an articulate surface.

Cimoliosaurus richarsoniCimoliosaurus richardsoni. — Ventral aspect of part of the right pectoral limb ⅛ nat. size; h humerus ; tr, trochanter of ditto; r, radius; u, ulna ; r’, radiale; i, intermedium; u’, ulnare.
The ulna and radius are short, the radial portion concave ; two of the carpal bones are trigonal, the rest are polygonal.

FEMUR. — The articular surface of the femur is deeply pitted and tuberculate. The proximal end is constricted below the head before it begins to expand. Both margins are nearly straight and gradually flatten out into a broad distal end. Length 1⅝in., breadth 8in., 3¾in. at the narrowest part of the shaft. The tibia and fibula, and several of the carpal and phalangal bones, are well preserved.

Since this paper was read last autumn before the members of the Club, the Plesiosauridœ have undergone a complete revision under the experienced and critical eye of Mr. Lydekker, F.G.S., to whom I am indebted for his valuable assistance in the classification of this saurian. He refers Mr. Richardson’s saurian to the genus Cimoliosaurus which he distinguishes from Plesiosaurus on account of structural differences, especially in the shoulder-girdle, which are of so marked a character as to require a generic distinction.

He restricts Plesiosaurus proper to those whose scapulae do not meet in the median line throughout their whole extent from the upper to the lower margin, hut diverge anteriorly about half-way down. The scapulae are rod-like, small, and narrow, and widely separated from each other, resting diagonally upon a long plate (omosternum) which is wedged into the coracoid at its summit, taking the place of the clavicle of mammalia and of some reptiles. The anterior portion of each scapula lies at right angles to the dorsal portion, which has a long projection. Cimoliosaurus, on the other hand, has large, broad scapulae, which meet at the median line throughout, and are in the same plane with the coracoids, forming with these one shield-like plate. The size and strength of the scapulae do not require the supporting bone omosternum of Plesiosaurus. The dorsal plates, as with the Plesiosaurus are at right angles to the ventral, but differ in being short and narrow. Mr. Lydekker, finding the fossil possesses all the characters referable to Cimoliosaurus, gives it a place in that genus.

It is, however, specifically distinct from C. phcatus, Phil., the only other known Oxford clay member of the family, and to which I referred it in vol. ix. of “The Proceedings.” Among the other distinctive characters already described, the cervical vertebrae are shorter with flatter, terminal faces, and about 31 in number instead of 44 as in plicatus. Mr. Lydekker names it Cimoliosaurus richardsoni after its fortunate discoverer. Plesiosaurus proper is restricted to the Rhæustic and Liassic beds, while Cimoliosaurus extends vertically from the Inferior Oolite to the Upper Chalk inclusive.

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170 years of Museum Life celebrated in 170 days…

#DorsetMuseum170This year, 2015 welcomes the 170th anniversary of the founding of Dorset County Museum.

It is 170 years ago when the concept of building a museum to house all of the treasures of Dorset’s rich history was conceived by a group of forward-thinking individuals. On the 15th October, 1845 it was a group, including the Dorset poet, William Barnes; the vicar of Fordington, Rev. Henry Moule and Rev. C. W. Bingham, which decided that in light of the development of the railways, and the subsequent discovery of specimens and artefacts within the disturbance, that it was ‘advisable to take immediate steps for the establishment of an Institution in this Town, containing a Museum and Library for the County of Dorset.’ It was at this moment, Dorset County Museum was born.

First Dorset County Museum Second Dorset County Museum Present Dorset County MuseumDorset-County-Museum_003
Judge Jeffreys Lodgings
1st home of the Museum,
1846 – 1851
No. 3 Trinity Street
2nd home of the Museum,
1851 – 1883
Dorset County Museum
1833 – Present

Originally, two rooms in what is now Judge Jeffreys restaurant were dedicated to the museum project. Quickly, this space became too small and the museum was subsequently moved to No. 3 Trinity Street. It was here that Thomas Hardy famously described the museum in his novel the Mayor of Casterbridge as:

‘It is an old house in a back street- I forget where- but you’ll find out- and there are crowds of interesting things- skeletons, teeth, old pots and pans, ancient boots and shoes, birds’ eggs- all charmingly instructive. You’ll be sure to stay till you get quite hungry.’

The museum remained in this ‘house in a back street’ until 1883 when the present building in High West Street was designed by architect Mr G. R. Crickmay. It wasn’t until several years later that the Dorset Natural History and Antiquarian Field Club was founded in 1875 and co-operated closely with the museum. The two organisations officially amalgamated in 1928 under the name Dorset Natural History and Archaeological Society, becoming the new owners, and current owners to this day, of Dorset County Museum.

To celebrate this momentous anniversary, Dorset County Museum will be teasing its Twitter followers with 170 days’ worth of birthday related tweets. So make sure you follow @DorsetMuseum for the start of our special 170th birthday celebrations. There will be a celebratory #DorsetMuseum170 twitter campaign kicking off, 29th April, where Dorset County Museum’s twitter will be conducting an exclusive 170 days countdown to the Museum’s official birthday on 15th October.

For further information about the Museum, telephone 01305 756827 or check the website on www.dorsetcountymuseum.org

Gabriella Crouch

Object Identification Surgery at the Dorset County Museum

Roman CoinsBring your ’mystery’ objects along to one of our three sessions per week and our enquiries team will do their best to provide an identification for you on the spot wherever possible. The Object Surgery will take place on:

  • Tuesday: 10.00 am to 3.30 pm: All enquiries
  • Wednesday: 10.00 am to 1.00 pm: All enquiries
  • Thursday: 10.30 am to 12 noon: All enquiries / 1.00 pm to 3.00 pm: Geology enquires

The existing system where you can leave an object for identification and collect it later will continue but due to the increasing costs of administration, stationery and postage, a £1.00 donation will be requested.

For more information contact information phone 01305 756827

Proceedings of the Dorset Natural History and Archaeological Society Vol 135 – 2014

Proceedings of the Dorset Natural History and Archaeological Society Volume 135 - 2014The Proceedings of the Dorset Natural History and Archaeological Society Vol 135 – 2014 is out now and available at the Dorset County Museum shop for £15.00. For more enquiries Tel: 01305 262735 or email enquiries@dorsetcountymuseum.org

One of the articles featured in the Proceedings and which is of particular interest this time of year is the folk custom of Mumming Plays.

Mumming plays, like several other winter customs, have enjoyed a huge revival in modern times, largely due to the enthusiasm of morris sides. This paper written by Jerry Bird titled  ‘Mumming Plays in Hardy’s Wessex’, delves into the mysterious origins of the Christmas mumming play, before examining its extent and importance in the County of Dorset.

The Mummers, as remembered by Thomas Hardy for the Mummers' play in the 'Return of the Native' performed in Dorchester in 1920 by The Hardy players

The Mummers, as remembered by Thomas Hardy for the Mummers’ play in the ‘Return of the Native’ performed in Dorchester in 1920 by The Hardy players © DCM

Thomas Hardy famously used a mumming play as a dramatic device in his novel Return of the Native, and seems to have had an abiding interest in folk-drama generally; his last published work which was not poetry was The Famous Tragedy of the Queen of Cornwall, billed as a ‘play for mummers’. He came from a long line of folk-musicians and his cousins performed in the Puddletown play. Despite this, the play he used in his novel appears not to have a local origin, though his description of the players was accurate, and he later borrowed a genuine Dorset script to write a new version for a stage production of ‘Return of the Native’ in the 1920s, thus inadvertently becoming an early revivalist.

Jerry Bird has collected together numerous references to mumming plays in Dorset, and the paper is well illustrated with photographs from the Vaughan Williams Memorial Library and elsewhere. The incident in which the Fordington mummers did battle with the Bockhampton band in Dorchester in 1845 is covered, with contemporary newspaper accounts reproduced here in full for the first time.The author explores the social and economic background to this event in the context of the upheavals of the time amongst the rural workforce, which included rick-burnings and the’Swing riots’ as well as the Tolpuddle Martyrs’ trial.

The well-known folklorist John Symonds Udal, author of Dorsetshire Folk-lore was an early collector of mumming plays, and fortunately the author was able to have access to his original play scripts and notes. There seems to have been a distinctive character to West Dorset plays in particular, which incorporated other traditions such as the ‘hobby horse’ and the Dorset Ooser.

The Appendix includes the scripts of ten Dorset plays, including Hardy’s own version. These are well annotated with extensive notes, and illustrations, including some musical notation and a photograph of one of Udal’s original scripts.

Other Papers in the Proceedings include:

  • Mabel St Clair Stobart 1862-1954: The Lady of the Black Horse, Peter Down, 1-19
  • ‘Primitive Betrothal’: The Portland Custom and Thomas Hardy’s The Well-Beloved, Jacqueline Dillion, 20-32
  • Sir Claude Scott and the development of Lytchett Minster in the nineteenth century, June Palmer, 33-45
  • How the Newburghs of Lulworth came to own Sutton Poyntz, William Egerton, 46-55
  • The Poets’ Christmas Eve: mythology into verse, Alan Chedzoy, 56-61
  • An account of Mary Anning (1799-1847), fossil collector of Lyme Regis, Dorset, England, published by Henry Rowland Brown (1837-1921) in the second edition (1859) of Beauties of Lyme Regis, Michael A. Taylor and Hugh S. Torrens, 62-70
  • An anonymous account of Mary Anning (1799-1847), fossil collector of Lyme Regis, Dorset, England, published in All the year round in 1865, and its attribution to Henry Stuart Fagan (1827-1890), schoolmaster, parson and author, Michael A. Taylor and Hugh S. Torrens, 71-85
  • Mumming Plays in Hardy’s Wessex, Jerry Bird, 86-148
  • The Cyril Diver Project, John Newbould and David Brown, 149-159
  • The Steve Etches collection of Kimmeridge Clay fossils: a Jurassic jewel on the Jurassic Coast, David M. Martill, 160-164
  • Severe drought and exceptional summer flooding: consequences for the South Winterborne macroinvertebrates, J. A. B. Bass, Patrick D. Armitage and J. L. Pretty, 165-166
  • Coastal landslide mapping of the Black Ven Spittles complex, Charmouth, Chloe Morris and Servel Miller, 167-180
  • New insect fossils from the Lower Lias (Lower Jurassic) of West Dorset, Robert A. Coram, 181-188
  • The gastropod and ammonite fauna of two anomalous facies in the Inferior Oolite of Burton Cliff, South Dorset, John Whicher, David Sole and Robert Chandler, 189-197

Archaeology

  • Hengistbury Head, Bournemouth, Mike Trevarthen, 198
  • Wood Hill, Charlton Down, Charminster, Richard Tabor and Cheryl Green, 198
  • 2 Wick Lane, Christchurch, Mike Trevarthen, 198
  • HMP Dorchester, Dorchester, Tom Weavill, 198
  • Max Gate, Dorchester, Mike Trevarthen, 198-199
  • Wall behind Wadham House, 50 High West Street, Dorchester, Richard Tabor and Cheryl Green, 199
  • New sea wall, Kimmeridge Bay, Kimmeridge, Mike Trevarthen, 199
  • Keates Quarry, Home Field, Acton, Langton Matravers, Mike Trevarthen, 199
  • Lewis Quarry, Home Field, Acton, Langton Matravers, Peter Bellamy, 199
  • Bottle Knap Cottage, Long Bredy, Mike Trevarthen, 199
  • Geophysical survey of the South Lawn, Kingston Lacy Park, Pamphill, Martin Papworth, 199-200
  • Limekilns at Inmosthay Industrial Estate, Inmosthay, Portland, Richard Tabor and Cheryl Green, 200
  • Land to the west of Reap Lane, Southwell, Portland, Richard Tabor and Cheryl Green, 200-201
  • Sherborne House, Newland, Sherborne, Richard Tabor and Cheryl Green, 201
  • Belle Vue Farm, Herston, Swanage, Lilian Ladle, 201
  • Geophysical survey of Long Mound, Beacon Knap, Swyre, Martin Papworth, 201-202
  • Chapelhay Gardens, Weymouth, Peter Bellamy, 202
  • Land to the south of Chickerell Road, Wyke Regis, Weymouth, Richard Tabor and Cheryl Green, 202
  • South Dorset Ridgeway: Purlands Farm (Winterborne St Martin) to north of Tatton House (Portesham), Richard Tabor and Cheryl Green, 202-203
  • Cross Farm, Church Street, Yetminster, Richard Tabor and Cheryl Green, 203
  • Dewlish Roman villa: post-excavation report 2013, Iain Hewitt, 203-204
  • The Langton Herring mirror and grave goods, Jon Murden, 205-208
  • The Roman villa at Druce Farm, near Puddletown, Lilian Ladle, 209-211
  • Ower Quay, Keith Jarvis, 212-216
  • The Durotriges Project, phase one: an interim statement, Miles Russell, Paul Cheetham, Damian Evans, Ellen Hambleton, Iain Hewitt, Harry Manley and Martin Smith, 217-221
  • Roman Purbeck Limestone mortars, John Palmer, 222-234
  • Portable Antiquities Scheme 2013, Ciorstaidh Hayward Trevarthen, 235-236
  • Excavation of c. eighteenth-century wall footings at Hive Beach, Burton Bradstock, Martin Papworth, 237-240
  • Roman remains found at Hyde Farm, Shapwick, Kingston Lacy Estate, Martin Papworth, 241
  • The Romano-Celtic temple at Badbury Rings, Dorset, Martin Papworth, 242-271
  • Investigations on the south shore of Brownsea Island by the Dorset Alum and Copperas Industries Project, Peter S. Bellamy, Gill Broadbent, Mark Corney and Clare Wilson, 272-283
  • Investigations at Kimmeridge Bay by the Dorset Alum and Copperas Industries Project, Peter S. Bellamy, Gill Broadbent, Mark Corney, Alan Hawkins, Mike Trevarthen and Clare Wilson, 284-296
  • Investigations on the Studland Circles by the Dorset Alum and Copperas Industries Project, Peter S. Bellamy, Gill Broadbent, Mark Corney and Clare Wilson, 297-310

County Boundary Survey

  • Hampreston: A parish in the counties of Dorset and Hampshire, J. W. Hart, 311-315
  • Boundaries of Dorset, J. W. Hart, 316-319
  • The Dorset County Boundary Survey 2013, Katherine Barker, 320-324
  • The Dorset County boundary at Biddlesgate, between the parishes of Cranborne (Dorset) and Damerham (Hampshire from 1885; formerly Wiltshire), Katherine Barker, 325-333

Reviews

  • A. Eccles, Vagrancy in law and practice under the Old Poor Law, Martin Ayres, 334-335
  • Michael Millgate and Keith Wilson (eds), The collected letters of Thomas Hardy, volume VIII: further letters, Will Abberley, 335-336
  • Michael Hill, East Dorset country houses, Helen Brown, 336-337

Obituary

  • Liz-Anne Bawden MBE (1931-2012), Max Hebditch, 338-339

Natural history reports 2013

  • General weather survey, John Oliver, 340-341
  • Dorset rainfall, John Oliver, 341-345
  • Butterfly survey, Bill Shreeves, 345-349
  • Frome Valley winter bird survey, John Newbould and John Campbell, 350-351
  • Some Dorset plant gall record highlights, John Newbould, 351-352
  • Field meeting reports, John Newbould, 352-355
  • County Boundary Survey visits, Katherine Barker and John Newbould, 355-357

Local auction report 2013, Gwen Yarker, 358-359

Report of the Dorset Natural History and Archaeological Society for 2013, 360-372

Index, 373-376

Notes for contributors, 377-378

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Seeing Butterflies: New Perspectives on Colour, Patterns and Mimicry by Philip Howse.

Seeing Butterflies: New Perspectives on Colour, Patterns and Mimicry by Philip HowseFor a fascinating insight into the bizarre colour patterns of butterflies and moths, visit Dorset County Museum for a talk by butterfly mimicry expert, Philip Howse. Philip will be launching his new book, Seeing Butterflies: New Perspectives on Colour, Patterns and Mimicry, at an event at the Museum on 26th November.

Originally focussing on the death’s head hawk moth, Philip quickly realised that the skull marking, seen from the appropriate angle, was in fact a crude image of the head of a giant hornet.

“From that point on, I found more and more examples of images of parts of dangerous animals: teeth, eyes, claws, beaks etc. embedded in the wing patterns,” said Philip.

Butterfly wings demonstrating mimicry

Butterfly wings demonstrating mimicry

During his talk on 26th November, Professor Howse will explain the reasons for the enchanting colours and designs on the wings of butterflies and moths and discuss survival strategies using behaviour, mimicry and camouflage.

Philip Howse has published several books and numerous research articles on insect behavior and ecology. After a career spent mainly at Southampton University, he has now retired but continues writing about the insects that have fascinated him since he was a boy.

All are welcome to this event which is FREE although donations are welcome to cover costs. Copies of Philip’s book will be for sale during the evening. The talk will start at 7.30pm and doors are open from 7.00pm. For further information see www.dorsetcountymuseum.org.