Craft Academy: Learn Printmaking

St. Peters Church, Dorchester engraved by William Barnes

St. Peters Church, Dorchester engraved by William Barnes

Looking for something to do with the kids this Easter?  Come and join us for a morning of messy fun at Dorset County Museum’s Craft Academy on Wednesday during the Easter Holidays, 10.30am – 12.30pm.

The theme for Wednesday 12 April is Printmaking. We’ve been inspired by our current exhibition in the tea room ‘Praise O’Do’set’ – an exhibition of hand painted woodblock prints illustrating the poetry of William Barnes by artist Jennifer Martindale and children will be able to create their own pieces of art using lots of different printing methods.

We’ll provide the materials and the inspiration – you’ll create a wonderful piece to take home with you. Even better, it’s absolutely FREE thanks to sponsorship from Battens Solicitors.

Each time you create a masterpiece at one of our sessions, we will stamp your Craft Academy passport. If you collect three stamps we’ll give you a special certificate.

The next Craft Academy sessions for 2017:

  • Wednesday 19 April
  • Wednesday 31 May
  • Wednesday 2 August

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Praise O’Do’set: An exhibition of handpainted woodblock prints illustrating the poetry of William Barnes by Jennifer Martindale

The Fancy Feair at Maiden Newton © Jennifer Martindale 2017

The Fancy Feäir At Maïden Newton © Jennifer Martindale 2017

The Fancy Feäir At Maïden Newton
by William Barnes

The Frome, wi‘ ever-water’d brink,
Do run where shelvèn hills do zink
Wihousen all a-cluster’d roun
The parish tow’rs below the down.
An’ now, vor woonce, at leäst, ov all
The pleäcen where the stream do vall,
There’s woone that zome to-day mid vind,
Wi‘ things a-suited to their mind.
An’ that’s out where the Fancy Feäir
Is on at Maïden Newton.

An’ vo’k,a-smarten’d up, wull hop
Out here, as ev’ry traïn do stop,
Vrom up the line, a longish ride,
An’ down along the river-zide.
An’ zome do beät, wi‘ heels an’ tooes,
The leänes an’ paths, in nimble shoes,
An’ bring, bezides, a biggish knot,
Ov all their childern that can trot,
A-vlockèn where the Fancy Feäir
Is here at Maïden Newton.

If you should goo, to-day, avore
A Chilfrome house or Downfrome door,
Or Frampton’s park-zide row, or look
Drough quiet Wraxall’s slopy nook,
Or elbow-streeted Catt’stock, down
By Castlehill’s cwold-winded crown,
An’ zee if vo’k be all at hwome,
You’d vind em out–they be a-come
Out hither, where the Fancy Feäir
Is on at Maïden Newton.

Come,young men, come, an’ here you’ll vind
A gift to please a maïden’s mind;
Come, husbands, here be gifts to please
Your wives, an’ meäke em smile vor days;
Come, so’s, an’ buy at Fancy Feäir
A keepseäke vor your friends elsewhere;
You can’t but stop an’ spend a cwein
Wileädies that ha’ goods so fine;
An’ all to meake, vor childern’s seäke,
The School at Maïden Newton.

William Barnes was a much loved and respected teacher, clergyman, scholar of languages and poet. Most of his poems are written with a strong Dorset accent as he casts a kindly eye over the lives of the hardworking Dorset rural community.

With these rustic woodblocks, hand carved, handprinted and hand coloured images, Jennifer Martindale has tried to share the spirit of the poems.

The techniques used in this tea room exhibition at the Dorset County Museum, lend themselves to simple kitchen table production.

Jennifer explains “Making pictures uses the calm mindful part of myself, and I aim to share with viewers the immense happiness that planning and making the work creates. A childish glee of playing with colours has never quite left me.  Over the years I have worked in most media, and I still move between painting and printmaking. I have long had an interest in South East Asia and have been influenced by the use of space and the concept of capturing the fleeting moment. The handpainted relief block print techniques of this William Barnes series were carefully chosen to represent the rustic nature of the poems.”

Jennifer’s work will be on view from 4 April 2017 to the 10 June 2017 in the museum’s Tea Room, and it will be FREE to come and view.  Mounted, unframed versions of her work will be for sale during the exhibition.

New Exhibition: ‘Under the Surface’ Paintings and Carvings by David West

Big Fish by David West © Maisie Hill 2017

Big Fish by David West © Maisie Hill 2017

For the very first time, Under the Surface brings together 70 of David West’s most important works from both private and public collections.  Spanning 60 years, it reflects the different strands of his development as a painter, sculptor and craftsman, deftly illustrating the progression and interaction between his use of paint and wood, in what is a landmark exhibition for this Dorset artist. 

Born in 1939, David West went to Sutton and Cheam School of Art (1956 – 1958) and Camberwell School of Art (1958 – 1960) where he studied painting and printmaking.  However, West found the emphasis on accuracy which was a feature of his student days too restrictive, and on leaving Camberwell he began to explore his love of decoration and strong pattern.

In the 1960s his work took an unexpected direction as he began to explore flexible ways to construct paintings within a three dimensional framework, which led naturally on to painting on wood.  Initially, wood was a substitute for canvas, but he soon became interested in its possibilities, and gradually there was more constructing and carving and less painting.

Gig and Fish by David West © Maisie Hill 2017

Gig and Fish by David West © Maisie Hill 2017

His carved wooden models are full of acute observation and humour, and reflect the strong interest West has in architecture, and the self-contained world within buildings.  His dolls houses were inspired by watching his daughter’s imaginative play, and the idea that within the basic structure of a house is a place where imagination can be released.

Some pieces portray actual houses, such as Parnham House and Forde Abbey, others are pure inventions.  Later models include a shop and theatre, and Dorset County Museum is lucky enough to have The Spode Set, a miniature theatre carved in wood based on the ‘Spode Italian’ ceramic design.  West’s woodcut prints became a natural extension of his carving.

West’s move from London to Lyme Regis in 1981 inspired in him a love of the Dorset landscape and coast, and a fascination with the ebb and flow of tides and water.  This influence can be clearly seen in his work as he began to carve sculptures based on walks along the beach at Lyme Regis.  He has taken an active part in life in Lyme Regis, and in the 1990s had a significant role in the restoration of the Town Mill, where there is a room named after him.

In fact, it was the commission to carve and gild a set of organ pipe shades for St Michael’s Church in Lyme Regis which led to using gold leaf to develop the 200 drawings inspired by his trip to Japan in 2008.  Variations of footpaths, waterfalls, fishponds and mountain streams are among the many gilded carvings and woodcut prints in the exhibition.  These were followed by works related to the Dorset landscape and coast, a series of gilded carvings, ‘Night Waves’ and ‘Moon’, combining influences from both Japan and Dorset.

Dorset County Museum is pleased to be welcoming David West back following a successful exhibition at the Museum almost 30 years ago.

This exhibition is supported by the Mansel-Playdell & Cecil Trust and PGP

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Related Links

An Exhibition of Merrily Harpur’s Artwork

Merrily Harpur at Work

Merrily Harpur at Work

Dorset County Museum is pleased to present an exhibition by Merrily Harpur, the well-known cartoonist and illustrator, her work having appeared regularly in all the national broadsheets, and in books by Kingsley Amis, Miles Kington, Gerald Durrell, John Michell and others.  She also found time to write the authoritative study of Britain’s mystery big cats – the panther- and puma-like creatures regularly spotted in our countryside, not least in Dorset.

Rodden the Wind from the Sea by Merrily Harpur

Rodden the Wind from the Sea by Merrily Harpur

However she has always been a secret painter of landscapes, and upon moving to this county fell hopelessly in love with its beauties and surprises – the unexpected changes of angle and perspective that West Dorset offers with each half mile travelled.  She paints en plein air or, more accurately, in situ – sitting in the car, enjoying the scent of turpentine and listening to Radio 3. If you spot a mossy, mud-bespattered car in an unlikely corner of a field or lane, this could be her – probably paint-bespattered – attempting to conjure up, in paint, the genius loci – the particular magic of our place.

She now lives and paints in Cattistock, where in 2013 she inaugurated the Fox Festival, and wrote the libretto for Nick Morris’s acclaimed oratorio The Fox That Walked on Water.

Merrily’s work will be on view from 16 January 2017 – 1 April 2017 in the museum’s Tea Room, and it will be FREE to come and view. Her work will be for sale during the exhibition.

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Sharing Heritage: Museum Makers Group celebrates £6,000 Heritage Lottery Fund Grant

Museum-Makers

The Museum Makers rehearsing for their latest performance ‘The Vikings are Coming!’ at the Dorset County Museum

Dorset County Museum has received a Heritage Lottery Fund (HLF) Sharing Heritage grant, it was announced today.  The grant will fund an exciting Museum Makers project which will provide educational and inspirational opportunities for adults with learning disabilities as they engage with the collections at the Museum.  

The project will work with local disability groups, carers, specialist artists and performers on a wide range of creative activities inspired by the Museum’s desire to share the stories of Dorset’s heritage with vulnerable adults in the community.  Weekly creative sessions will include activities such as acting, music, craft making and shadow puppetry which will result in the group producing and performing a play and a film for friends, family and the wider community to enjoy, all inspired by the Museum’s collections.

The initial focus for the group will be recently acquired archaeology collections including the Viking skeletons discovered on the South Dorset Ridgeway, which the Museum Makers will use to explore the Viking connection with Dorset, performing a play based on their discoveries.

The latter half of the project will see the group explore themes relating to the Museum’s current exhibition of railway posters of the twentieth century, Speed to the West:  a Nostalgic Journey.  From this they will produce a film on the coming of the railway to Dorchester, connections with Dorset’s literary heritage and the founding of the Museum itself in response to the threat posed by the construction of the new railways to Dorset’s archaeological heritage and natural history.

Commenting on the award, Andy Worth, Museum Makers Volunteer, said “We’re thrilled to have been awarded this grant and we can’t wait to get started on the project. The Museum Makers group will feel a stronger sense of belonging to their community through engaging with Dorset’s past, and at the same time they will be developing their own self-confidence through learning new skills, performing and film-making.  We’re also delighted by the support we’ve had from Dorset County Museum, and can’t emphasise enough how crucial this interim grant is to the Museum Makers. ”  

Dr Peter Down, Chairman of Dorset County Museum added “This will be a really fantastic project, and staff and volunteers here at the Museum will give our whole hearted support to the Museum Makers in any way that we can.”

Related Links:

Heritage-Lottery-Fund

Exploring museums worldwide with #MuseumWeek 2016

#MuseumWeekDorset County Museum will join museums and galleries across the World on Twitter for #MuseumWeek, a project that will connect people to artwork, culture, history and science in new and interactive ways.

#MuseumWeek 2016 will take place from Monday 28th March – Sunday 30rd April 2016 and will give Twitter users direct and unparalleled access to some of the international leading museums and the people behind them in 140-characters bursts.

@DorsetMuseum

Follow us @DorsetMuseum

Dorset County Museum will join other UK organisations already signed up include the Science Museum (@sciencemuseum), the Natural History Museum (@NHM_London), the Victoria and Albert Museum (@V_and_A), the British Museum (@britishmuseum), and the Tate (@Tate).

Dorset County Museum will join other Museums across the world by including the hashtag #MuseumWeek in their Tweets for the week, meaning users can follow along on Twitter.

 

7 days, 7 themes, 7 hashtags!

In addition, every day there will be a different theme.

#MuseumWeek Secrets#secretsMW – Monday 28 March

Monday is dedicated to discovering your most well-kept secrets! Show a behind-the-scenes glimpse of your museum!

#peopleMW#peopleMW – Tuesday 29 March

Tuesday is dedicated to honor the people-well known or anonymous-who have helped make your museum. Feature your founders, other icons, and current staff members and talk about their expertise!

#architectureMW#architectureMW – Wednesday 30 March

Wednesday is about telling the story of your building(s), your garden(s), your neighborhood or other key locations for your institution. Introduce your museum from a different point of view!

#heritageMW#heritageMW – Thursday 31 March

On Thursday, focus on your tangible and intangible cultural heritage. Help your audience discover the variety of content your institution has on view, in storage or online!

#futureMW#futureMW – Friday 1 April

On friday, share your most innovative projects, your barriers to innovation, your research or your institutional goals, all of which can lead to a greater understanding of your future initiatives and developments!

#zoomMW#zoomMW – Saturday 2 April

Saturday zoom in on your content by sharing details and anecdotes that provide an interesting insight into your collection (e.g, images of hands or frames, anecdotes about the origins of a book …).

#loveMW#loveMW – Sunday 3 April

Sunday, time to share what you love about your place! Take advantage of this opportunity to promote your museum’s greatest attractions (artworks, displays, rooms …) and use Twitter as a helping tool for the visit.

@PliosaurKevan

Follow our #MuseumMascot @PliosaurKevan

A full list of participating UK organisations can be viewed here museumweek2016.org

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St Ives and British Modernism: The George and Ann Dannatt Collection Exhibition extended to 23rd January 2016

Denis Mitchell, Selena, 1969, Pallant House Gallery, The George and Ann Dannatt Gift (2011)

Denis Mitchell, Selena, 1969, Pallant House Gallery, The George and Ann Dannatt Gift (2011) PHG © 2015

Dorset County Museum is pleased to confirm that the current exhibition St Ives and British Modernism: The George and Ann Dannatt Collection has been extended and will run until Saturday 23rd January 2016.

Director of Dorset County Museum, Dr Jon Murden commented “This has already proved to be a very popular exhibition, and I’m really pleased that it will be staying in Dorset for three extra weeks, giving locals and visitors alike the chance to come and see it.”

Ancient Landscape by George Dannatt - Dorset County Museum © 2015

Ancient Landscape by George Dannatt – Dorset County Museum © 2015

Marking the centenary of George Dannatt’s birth in 1915, the exhibition explores one of Dorset’s most significant art collections – that assembled by George and Ann Dannatt.
The collection includes a largely unseen and newly conserved group of paintings, drawings, sculptures and prints by key figures associated with the St Ives Group of Artists in the 1950s, 60s and 70s, including Terry Frost, Roger Hilton, Peter Lanyon, Ben Nicholson, Wilhelmina Barns-Graham and John Tunnard.

The collection is one of the most significant private collections of its type, not least because Dannatt was a friend of many of the artists, and was himself an abstract artist. A selection of his own works will be included in the display, as well as archival photographs of the Dannatts with their artist friends and rare artists’ books and illustrated volumes. In addition to the St Ives Group, the collection includes works by artists associated with a poetic strain of Neo-Romanticism in Britain, including Paul Nash, David Jones, Prunella Clough and Keith Vaughan, as well as interesting prints by international artists such as Jean Arp and Eduardo Chillida.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Related Links:

 

The Place of St Ives by Brandon Taylor, Professor Emeritus of History of Art, University of Southampton

Ancient Landscape by George Dannatt - Dorset County Museum © 2015

Ancient Landscape by George Dannatt – Dorset County Museum © 2015

On Thursday 10th December at 7.30pm, Dorset County Museum invites you to come to an interesting and informative talk about British modern art which complements the current temporary exhibition at Dorset County Museum, St Ives and British Modernism: The George and Ann Dannatt Collection.

The talk will consider the character of ‘The St Ives School’ of painters and sculptors during the 1940s and 1950s, the nature of their links to the coastal environment, and the relation of their work to transatlantic and European tendencies of the day.

Professor Taylor is currently a visiting Tutor in History and Theory of Art at the Ruskin School of Art, University of Oxford. His latest publications are After Constructivism (Yale University Press 2014) and St Ives and British Modernism (Pallant House Gallery Chichester 2015).

This talk is on Thursday 10th December 2015, Dorset County Museum, 7.30pm
(doors open at 7.00pm) and is open to everyone and is FREE of charge, although we do encourage a donation of £3 to cover costs.

For further information and other forthcoming events contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Adult Craft Workshop: Learn how to Crochet

Rug Making at Dorset County Museum 2012On Wednesday 9th December between 1pm and 3.30pm, the Museum is running a crochet workshop for adults.

The session is part of a series of workshops, and is designed specifically for beginners who wish to try out a new craft or technique. Tickets cost £10.00 each, and as places are limited to just 15, booking is essential. All materials will be provided.

No previous knowledge is required for this friendly workshop. Tickets are available from the Museum shop or by phone on 01305 756827.

Proceedings of the Dorset Natural History and Archaeological Society Vol 136 – 2015

Proceedings of the Dorset Natural History and Archaeological Society Volume 136 - 2015Remarkable archaeological finds, controversy over the latest film version of Far from the Madding Crowd and ‘the world’s biggest bite’ marine reptile exhibit are revealed in the new style annual just published by the Dorset County Museum.

Read about the pliosaur, the Museum’s latest marine reptile fossil exhibit, a fearsome creature which had the largest bite in the world. Experts discuss new film version of Thomas Hardy’s Far from the Madding Crowd. Finds from the excavations at the Durotriges village excavations at Winterbourne Kingston and the major Roman villa excavation at Druce farm are detailed. Plus over twenty other major articles.

“We are really excited about the latest volume which looks great and has lots of fascinating articles,” says Dr Paul Lashmar, the journal’s editor. “These are scholarly papers but we pride ourselves that they are very readable so there is something in every edition to delight the casual reader or visitor to Dorset.”

Weymouth Bay Pliosaur Skull © DCM

Weymouth Bay Pliosaur Skull © DCM

The new volume features original line drawings on the cover that were used to illustrate the Cornhill Magazine serialisation of Hardy’s Far from the Madding Crowd in 1874.

“With its classic yet unique British countryside and a long and enthralling history Dorset is a remarkable county. Home too many great writers and artists Dorset can also boast the best prehistoric landscape in Britain and the geological wonders of the Jurassic Coast. The annual, the Proceedings of the Dorset Natural History and Archaeology Society 2015 celebrates everything that is fascinating and important about Dorset.in the last year,” says Dr Lashmar.

Druce Farm Roman Villa

Druce Farm Roman Villa

While Dorset inspires many books, papers and articles, only Proceedings publishes with regard to academic scholarship. From its home at the Dorset County Museum Proceedings has published for 136 years a remarkable annual collection of scholarly papers, monographs and reports from a wide range of disciplines in the furtherance of knowledge and understanding.

CONTENTS:

PAPERS

  • What Tess meant to Hardy, and why Keith Wilson
  • Far from the Madding Crowd (2015) Directed By Thomas Vinterberg. A review Paul J. Niemeyer
  • How to get a head in Dorset County Museum: The tailless tale of Pliosaurus kevani Jenny Cripps
  • The environmental quality of the Sherford River (Dorset) assessed with macroinvertebrate data – Patrick D. Armitage, J.A.B. Bass & Adrianna Hawczak
  • Underwater light-trapping of mobile invertebrates in the Fleet lagoon, Dorset – Nina Wills, J. A. B. Bass & J. I. Jones
  • ‘Gone for a Burton’: Thomas Arthur Burton (1842-1936), musician & composer, and his family (from Leicestershire, Derbyshire, Cotswolds, Hampshire & Dorset) – Hugh S. Torrens
  • Mrs Alicia Moore, dedicatee of Henry Rowland Brown’s 1859 guidebook Beauties of Lyme Regis – Michael A. Taylor
  • A token found at Lyme Regis, Dorset, England, apparently associated with Mary Anning (1799–1847), fossil collector – Michael A. Taylor & Richard Bull
  • The Dorset Hundreds from the early nineteenth century – J. W. Hart

ARCHAEOLOGY

  • Dorset Archaeology in 2014
  • Portable Antiquities Scheme 2014 – Ciorstaidh Hayward Trevarthen
  • Preston: Bowleaze Cove Romano-British building – Iain Hewitt And Grace Jones
  • Observations at Church Street, Christchurch – Michael Heaton with a contribution from Professor Malcolm Thurlby
  • Interim Report: Druce Farm Roman villa, Puddletown – Lilian Ladle And Andrew Morgan
  • Excavation of a Romano-British well at Farnham – Martin Green, Mark Maltby & Rob Perrin
  • Mortlake and Grooved Ware pottery associated with worked stone in a pit at Lambert’s Hill, Winterbourne Abbas, Dorset – Richard Tabor, With A Contribution By Cheryl Green
  • The Old Manor, Stratton – Rosemary Maw
  • The Thompson’s clay canal – A clay-working enterprise near Lytchett Bay, Poole in the 1830s – Bryan Gambier, Alan Hawkins And Keith Jarvis
  • Witchampton chess pieces – Gill Vickery
  • The Durotriges Project, Phase Two: an interim statement Miles Russell, Paul Cheetham, Damian Evans,Karina Gerdau-Radonic, Ellen Hambleton, Iain Hewitt, Harry Manley, Nivien Speith and Martin Smith
  • The Development of Properties inside the southern defences of Roman Durnovaria: an excavation at Charles Street, Dorchester – Andrew B. Powell with Contributions From Kirsten Egging Dinwiddy, Rachael Seager Smith & J.M. Mills

Proceedings are available from the Museum Shop Price £20.00. However if you become a member of the Dorset Natural History and Archaeology Society the price is £15.00. For more details about membership contact the the membership secretary on 01305 756829 or visit the website for more details www.dorsetcountymuseum.org

For further information and enquires about the Proceedings contact the editor Dr. Paul Lashmar on 01305 262735