About dorsetcountymuseum

The Dorset County Museum, where the story of Dorset's rich landscape and history unfolds in a range of fascinating displays. Visit us at www.dorsetcountymuseum.org

Lunchtime Concert: Lute and classical guitar with Andrew Hurst

Kevin Avebury

Andrew Hurst

Andrew Hurst (aka Kevin Avebury) studied guitar, lute, piano, composition and figured bass at the Royal College of Music.  His specialisation is:  Continuo realisation (keyboard and fretboard), Renaissance and Baroque music history and compositional techniques.  He has performed concerts as a soloist, in duos, trios and larger ensembles.  He has worked with vocal soloists, small vocal and instrumental ensembles, Early Opera companies, cafes, restaurants, street events, festival and pubs! 

On the strength of the success of improvising ‘Voluntaries’ – a 1680s fascination for lute players then – very rarely done in concerts if at all –  at the Crabchurch Conspiracy weekend talks (lecturer Ronald Hutton amongst others) that were held in Weymouth in early March, Andrew will improvise a few more such Voluntaries on the ‘English Theorbo’ .  As it was a musical feature around the time of Judge Jeffreys, he will be doing an improvised ‘character sketch’ Voluntary (literally an improvised piece on a whim!) based on him.  As part of Andrew’s Musical Director Role at the Marine Theatre in Lyme he will also be improvising a Voluntary to depict the tension, high feelings, bitterness, violence, and trauma etc which would undoubtedly have been felt by those involved in the Monmouth Rebellion / civil war also.

Andrew may well be unique in being brave enough to improvise these voluntaries using musical language of the time in concerts or recordings.

There will be other archlute pieces (archlute = ‘English Theorbo’), classical guitar arrangements/ originals and also some 12-string acoustic (fingerstyle) music with a Celtic flavour.

Andrew is a key musician in the Bridport Ukelele Projects production of “Flea!” He is also lead guitarist in the Dorchester based rock band Margot Escargot which is set to release three singles this year.

The concert takes place in the Dorset County Museum’s Victorian Hall on Thursday 3 August 2017 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Exploring the World of Wallace at the Dorset County Museum’s Craft Academy

Alfred Russel Wallace © Dorset County Museum 2017

Looking for something to do with the kids over the summer holidays? Come and join us for a morning of messy fun at Dorset County Museum’s Craft Academy on Wednesday 2 August 10.30am – 12.30pm

Taking inspiration from the museum’s collection of exotic birds collected by Victorian naturalist and explorer Alfred Russel Wallace. Children will have a chance to learn about Wallace’s ideas and achievements.

craft-academy-dorset-county-museumWe’ll provide the materials and the inspiration – you’ll create a wonderful piece to take home with you. Even better, it’s absolutely FREE thanks to sponsorship from Battens Solicitors.

Each time you create a masterpiece at one of our sessions, we will stamp your Craft Academy passport. If you collect three stamps we’ll give you a special certificate.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Literary Lives: Mr Hardy and Mrs Henniker – An Enduring Friendship in Letters by Helen Angear

Thomas Hardy LettersCome and join us on Thursday 27 July 2017 at 7.30pm, for an interesting talk by Helen Angear who has been working on the Thomas Hardy Correspondence Archive at Dorset County Museum. 

“It occurred to me the other day that this year completes the eighteenth of our friendship. That is rather good as between man and woman, which is usually so brittle” (Aug. 1911).  So wrote Hardy to Florence Henniker, an aristocratic lady and fellow writer he met in 1893. Hardy’s comment might make you think of the 1989 film ‘When Harry Met Sally’ and the unresolved question of whether men and women can ever be ‘just friends’.

In fact, Hardy and Henniker’s platonic friendship lasted almost thirty years and both sides of their correspondence exist within the archive to tell the story. Henniker’s gift of an inkstand, sent in the post in 1893, can also be seen in Hardy’s study upstairs in the Museum. This talk examines the important role that letters played in their enduring friendship. I seek to dispel the assumption that this is simply a story of unrequited love and reveal how their dialogue provides an understanding of intimate, but non-marital, social bonds between the sexes at the turn of the century.

A selection of the letters will also be on display.

Helen Angear

Helen Angear

Helen Angear is an AHRC Collaborative Doctoral Award student at the University of Exeter, in collaboration with Dorset County Museum.  She is working on the Hardy correspondence archive, and her PhD is called Thomas Hardy’s Correspondents: Proximity and Distance in Postal Communication’. Helen is also an Associate Lecturer at Exeter College.

The forthcoming lecture will take place on Thursday 27 July 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Lunchtime Concert – The Tumlyn Brass Quintet

The Tumlyn Brass Quintet

The Tumlyn Brass Quintet

On Thursday 20 July 2017 at 1.00pm, a varied programme of brass quintet arrangements and original compositions, spanning a variety of styles will performed by the Tumlyn Brass Quintet in the Dorset County Museum’s Victorian Hall.

The Tumlyn Brass Quintet comprises Winston Leese and Denis Curlett on trumpet, David Ansell on horn, Rob Taylor playing trombone and Bill Willis on tuba.  Poet Jan Wyld will read something in keeping with the style and mood of the concert.

The Tumlyn Brass Quintet was formed in 2017.  It consists of Dorset-based musicians who meet in various combinations on the professional circuit, and who are passionate about making good music. They perform a wide variety of styles, such as only perhaps a brass quintet allows, drawing in a huge range of experience and skills. The music ranges from the likes of the Bournemouth Symphony Orchestra, to D’Oyly Carte Opera Orchestra, to playing in and conducting Bournemouth Brass, the National Youth Jazz Orchestra, cruise ship work, and being on the Lord of the Rings soundtrack!

The concert takes place in the Dorset County Museum’s Victorian Hall on Thursday 20 July 2017 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Local artists exhibit paintings of floral life at the Dorset County Museum

Leaves by Carmen Forder © Dorset County Museum 2017

Leaves by Carmen Forder © Dorset County Museum 2017

Currently exhibiting in the Dorset County Museum Tea Room until 9 September 2017, is a collection of floral paintings by the Martinstown Botanical Art Group

The group has been running for about 9 years and exists to nurture and encourage botanical art in amateur artists who love this genre.  They all choose and bring their own subjects to paint and they have a regular tutor who provides personal encouragement and advice, with demonstrations of technique.

Their current tutors are Simon Williams SBA, a nationally known illustrator and botanical artist, and Pauline Trim AssocSBA.

Members of the group are all enthusiastic amateurs, largely retired or semi-retired, who all love painting and learning.  There is a lot of talent in the group. Some of us sell our work or take commissions, others choose not to.

Subject matter is varied within the natural history brief, as we all paint what appeals to us.  We paint mainly flowers but also include other plant life, fruit, vegetables, also butterflies, birds and, occasionally, animals.  Works are mainly in watercolour, gouache or coloured pencil.

The art exhibition is in the Dorset County Museum Tea Room and is FREE to come and view.

Lunchtime Concert – Dorchester Piano Quartet

Dorchester Piano QuartetOn Thursday 13 July 2017 at 1.00pm, the Dorchester Piano Quartet will be playing a lunchtime concert at Dorset County Museum.

The Dorchester Piano Trio was formed when Russell Dawson (violin) and Peter Oakes (piano) played a duo concert and Sally Flann, who was in the audience, introduced herself as a cellist who would be pleased to play Trios. After around ten years of the Dorchester Piano Trio, Russell stood down and Jenny Curiel (violin) and Pasha Willis (viola) joined Sally and Peter to form the Dorchester Piano Quartet.

This March concert includes Debussy – Sonata for Cello and Piano; Schubert – String Trio in B flat; Beethoven – Piano Quartet Op. 16

The concert takes place in the Dorset County Museum’s Victorian Hall on Thursday 13 July 2017 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Festival of Archaeology at the Dorset County Museum

Festival of Archaeology 2017From 15 to 30 July 2017, The 27th Festival of Archaeology, coordinated yearly by the Council for British Archaeology, showcases the very best of British archaeology by presenting special events hosted by museums, heritage organisations, universities, societies and community archaeologists all over the UK.

As their contribution to this year’s festival, Dorset County Museum will host a variety of events including a rare opportunity to tour the Museum’s archaeology store too seeing archaeology in action with the cleaning and the analysis of the skeleton of the Whitcombe Warrior.

“This is a fantastic opportunity for people to see a whole range of archaeological artefacts that aren’t normally on display, “said Jon Murden, Director of Dorset County Museum.  “In the past these tours completely sold out as so many people were interested in coming along – we hope it will be even more popular this year.“

Visitors to the museum can also see the Ancient Dorset gallery which tells the fascinating story of the past of the ancient peoples living in this county, from the Lower Palaeolithic Age three million years ago to 1066AD. Including a display of the discovered mass Viking burial discovered on the Ridgeway outside Weymouth.

Dorset County Museum has seven events taking place over the two weeks of the Festival:

  • Monday 17 JulyGuided Tours of the Ancient Dorset Gallery (normal admission prices apply).  Tours will start at 11.00am and 2.30pm – no need to book.

 

  • Tuesady 18 July – Store Tours of All Saints Church This is where thousands of archaeology artefacts are stored.  Tours will take place at 10.30am, 12noon, 1.30pm and 3.30pm.  Places are limited and must be reserved.  Cost is the normal museum admission price and includes admission to the museum.           Tel:  01305 756827 to book your place.

 

  • Wednesday 19 July – Object Identification Surgery  David Ashford and Ciorstaidh Hayward Trevarthen (Dorset Finds Liaison Officer) will be available from 10am to 1.30pm in the Museum Library ready to help you identify your archaeological finds.  If you have unearthed objects through metal detecting, on the beach or underwater, or just gardening at home, then please bring them along and find out what they are.  Ciorstaidh may ask to borrow your finds and record the details on the finds database so that the information can contribute to our understanding of Dorset’s past. Ciorstaidh works as part of the national Portable Antiquities Scheme which records thousands of items of pottery and flint, metal objects, coins and other finds, dating from prehistory to the post-medieval, each year. The database can be found here: finds.org.uk/database

No admission charge to this surgery, but normal admission prices apply for entry to the museum’s galleries.

Bronze-Axe-Head

  • Friday 21 July – Guided Tours of the Ancient Dorset Gallery (normal admission prices apply).  Tours will start at 11.00am and 2.30pm – no need to book.

 

  • Monday 24 July – Bodies and Bones Normal admission prices apply.  Dr Clare Randall will be cleaning the Whitcombe Warrior plus plenty of activities relating to archaeology in the Ancient Dorset Gallery.   Normal admission prices apply.
Whitcombe Warrior

Whitcombe Warrior

The Whitcombe Warrior is a rare example of a Late Iron Age burial which includes a sword. The Warrior was buried in a small cemetery near Whitcombe, Dorset just before or around the time of the Roman invasion, in a style which is unique to Dorset and is associated with the local tribe, the Durotriges. The Warrior has been on display for many years, and his remains now need some TLC – even things on display in sealed museum cases get dusty over time. We are taking the opportunity during the Festival of Archaeology to give the Warrior a clean, but rather than take him off display to do this, we are going to do the work in the gallery which will give visitors the opportunity to see the remains slightly closer up and discuss them with Dr Clare Randall, who works as an osteoarchaeologist. This is a chance to find out more about the Late Iron Age people of Dorset and their health, disease and burial rituals as well as how we can deduce information from bones. There will be objects of the period to handle and the chance to drop in and chat while the work goes on.

Clare also works with animal remains, and there will be hands on activities for younger visitors which help to explain why the bones of animals are so important to archaeologists and how they are studied. Can you tell the difference between a sheep and a dog if they don’t have their coat on? Can you deduce what an animal might eat or how it lived, just from bits of bones? Could you design an animal from scratch?

  • Tuesday 25 July – Store Tours of All Saints Church This is where thousands of archaeology artefacts are stored.  Tours will take place at 10.30am, 12noon, 1.30pm and 3.30pm.  Places are limited and must be reserved.  Cost is the normal museum admission price and includes admission to the museum.  Tel:  01305 756827 to book your place.

 

  • Thursday 27 July – Bodies and Bones Normal admission prices apply.  Dr Clare Randall will be cleaning the Whitcombe Warrior plus plenty of activities relating to archaeology in the Ancient Dorset Gallery. Normal admission prices apply.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Dorset County Museum awarded National Portfolio Organisation Status by the Arts Council

Dorset County Museum have been awarded National Portfolio Organisation status by Arts Council England. In doing so are set to share in a £1.2 million investment into the Museum of Dorset and Wiltshire.

Wessex Museums Partnership

The Wessex Museum Partnership, a consortium of four museums, led by the Poole Museum Service together with Dorset County Museum, Salisbury Museum and Wiltshire Museum have been entrusted by the Arts Council to deliver their 2018-22 strategic plan entitled ‘Great Art and Culture for Everyone’.

The Arts Council has recognised 831 National Portfolio Organisations that meet and exceed its stringent standards of best practice, with 103 based in the South West region.

Phil Gibby, Area Director, South West, Arts Council England, said: “We are delighted to be able to renew our funding to organisations in Dorset and are proud to be welcoming three new and diverse organisations who will significantly widen the reach across Dorset and beyond”.

Dorset County Museum Director, Jon Murden, exclaimed: “We are delighted by this vote of confidence in the Wessex Museums Partnership and the Dorset County Museum. We will be enhancing our outreach and community offer across the county, developing our special exhibition programme and improving the conservation and care of our collections with this investment.

“The Museum’s ambitious redevelopment plan is to create ‘Tomorrows Museum – Making Dorset Proud’ and today’s announcement is a recognition that this statement. Everyone involved with the Museum should be congratulated as they are part of this success”. Jon added.

This award comes soon after the National History Museum confirmed that Dorset County Museum will be the first stop on Dippy’s National Tour, an event that is already looking to be a sell-out success.

Dippy arrives at the Museum in Dorchester on 10 February 2018. Tickets will be limited and launched in August but you can register your interest by visiting www.dorsetcountymuseum.org

Archaeology Field Trip: Cadbury Castle and its ancient landscape with Dr Clare Randall

The walk will comprise a tour of Cadbury Castle hillfort, looking in particular at areas which demonstrate the development in the use of the hill from the Neolithic period, through the creation of the hillfort in the early and Middle Iron Age, Roman use as a barracks, important post-Roman refortification and construction of a hall, through to the early medieval period, when it became a burh and a mint. The contemporary sites in the surrounding landscape will be discussed. There will be an optional visit to the South Somerset Archaeological Research Group base at Sutton Montis after the walk.

Cadbury Castle Hillfort

Cadbury Castle Hillfort

Dr. Clare Randall

Dr. Clare Randall

Clare Randall is an archaeologist and zooarchaeologist specialising in the prehistoric period. She currently works as an Archaeological Officer for Context One Archaeological Services Ltd, where she works on projects of all periods across the south west.

She was Research Assistant for the South Cadbury Environs Project, and completed her PhD at Bournemouth University studying the successive prehistoric landscapes around Cadbury Castle in conjunction with the information on livestock husbandry from the animal bones recovered during excavation of the hillfort and surrounding sites.

She has been Research Director of the South Somerset Archaeological Research Group, which continues to work in the area, since 2007.

The walk is on Saturday 1 July 2017 starting at 2.00pm at the car park at Cadbury Castle. The walk is FREE although a donation of £3 is encouraged to cover costs.

For further information about this walk and other forthcoming events contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

For Directions

Meet at the car park at Cadbury Castle, South Cadbury, Yeovil, BA22 7HA (The Camelot Pub is nearby)

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#FoodMW – Small recipe book for a big appetite

Felicity Hebditch volunteers with the social history team at the Dorset County Museum, and has been researching this fascinating little recipe book ‘Domestic Cookery or Family Receipt Book’.

In it, Felicity finds out about the life of a domestic servant around 1850’s. Meals were prepared under conditions far removed from what we are now accustomed to…. uncovering stories from sparrow dumpling recipes to fuller’s earth with vinegar for pimples.

Front pages from Domestic Cookery

Front pages from Domestic Cookery

‘A Lady’ author

In the Museum’s collections is a small book ‘Domestic Cookery or Family Receipt Book’ written around 1850 by ‘A Lady’ as ‘a practical guide for housekeepers’. Who wrote it? Before Mrs. Beeton there was Eliza Acton (1799-1859), who was the first cookery writer to list the ingredients and the length of cooking time for her recipes. She produced ‘Modern Cookery for Private Families’ in 1845. Before Eliza Acton there was Maria Eliza Rundell who wrote ‘A New System of Domestic Cookery’ in 1806, an enormously successful publication which continued to be produced for fifty years after her death in updated versions. Domestic Cookery is probably a pirated edition of Rundell’s work.

An Experienced Cook and Confectioner

An Experienced Cook and Confectioner

Turtle for tea?

All the dishes are written from the point of view of a servant sending dishes to the dining room. These are substantial recipes for large households; ‘portable soup for travellers’ requires three large legs of veal and one of beef, the lean part of half a ham and a quarter of a pound of butter. Recipes are very meat based and the meat is not for the squeamish. The cook (or her assistant) was instructed to kill a pig, kill and draw ducks, skin eels, even kill and deal with a turtle. (The Earl of Verulam came home with a turtle in his coach, a surprise for his cook?) There is also ‘Artificial turtle’, Alice’s mock turtle. Our more ecological times regret their eating larks (‘a dozen or so’), and there is even a recipe for sparrow dumplings.

Many of the dishes are served with sauces thickened with bread rather than flour, as medieval cookery does, and yolks of egg. Wine is added sometimes, or lemons, and generous helpings of Cayenne pepper, ‘catchup’ (ketchup) or mushroom ‘catchup’, and always a good dollop of butter. Very few ‘receipts’ incorporate vegetables, though stews do have onions and carrots, and celery is added to several dishes. The vegetables are cooked in ‘a large quantity of water’; cauliflower is cooked in milk and water, but ‘spinage’ is only cooked for two minutes so wouldn’t have lost all its flavour.

Stew celery

Take off the outside and the green ends of your heads of celery, boil them in water till they are very tender, put in a slice of lemon, a little beaten mace, thicken it with a good lump of butter and flour, boil it a little, add a little cream, shake it over the fire till it be of a fine thickness, but do not let it boil.

Cooks needed to be able to control the fire or stove. The roasting of a piece of meat meant toasting it in front of the fire; to keep the fire at a constant heat for four or five hours was hard work, and the meat would have to be basted to prevent it from drying out. A number of dishes involve boiling and then finishing off with frying in butter. This presumably helped to send things in to dinner hot. The pots and pans were heavy and hard to clean. Various things are boiled in a tossing pan.

Medieval meals featured an amusing or stunning dish as a centre piece, like today’s birthday cake. The book’s author gives descriptions of dishes made with marzipan, a scene of baby chicks and a hen with straw made of lemon peel, a fish pond with marzipan fish floating on jelly, sugar spun to make a nest with marzipan eggs.

Another Soup Recipe - Green Peas Soup without Meat

Another Soup Recipe – Green Peas Soup without Meat

Domestic Goddess

There is no dashing down to shops to buy ready made goods. Home grown fruit and vegetables had to be turned into pickles or jam to preserve it. Hand cream had to be made of hog’s fat and hair restorative from honey and rosemary. Ink was made of galls, green copperas, gum arabic and a wine glass of brandy! And then there were the rats; Corks cut very thin, and fried or stewed in dripping and placed in the way of rats will be greedily devoured, and they will die of indigestion. They tried to solve medical conditions; to cure worms with turpentine and egg, fuller’s earth with vinegar for pimples. Mutton suet was the best thing to keep irons from going rusty, tea leaves for sweeping carpets and fine carpets had to be swept ‘on the knees’.

Hard work!

  • Follow @dorsetmuseum Twitter for #museumweek 19-25 June 2017 which this year highlights women in museums.