Museum Makers: I Left it on the Train

I Left it on the Train Following on from our sea voyage with the Vikings, we devised a land journey in a waggon, and then worked on shadow play, using a full-sized screen, to depict some of the stories that our characters tell to entertain the other travellers. In the final session some of the scenes were filmed.

Inspired by the museum’s exhibition on Speed to the West, we’ve been working on our own posters…

Inspired by the museum’s exhibition on Speed to the West, we’ve been working on our own posters…

The finished filmed performance by the Museum Makers at Dorset County Museum. Supported by the Heritage Lottery Fund.

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Heritage-Lottery-Fund

Teapot from the Roof of the World by Duncan Walker

Tibetan Teapot © Russell-Cotes Art Gallery and Museum 2017

Tibetan Teapot © Russell-Cotes Art Gallery and Museum 2017

On Friday 28 April, starting at 7.30pm, come and join us for an interesting talk by the curator of the Russell-Cotes Art Gallery and Museum on this amazing artefact.  This talk will cover the history of this amazing teapot and how it came to Bournemouth.  There will also be a brief exploration of the Russell-Cotes Art Gallery & Museum – including some collection highlights that are on display.

Duncan has been at the Russell-Cotes Art Gallery and Museum since 2007 and worked with an internationally significant collection which ranges from fine art to ethnographic material from across the globe. His current role involves everything from collections management and research to income generation and exhibitions. Duncan has been ‘in’ museums since 1993 and his previous museums include Portsmouth, Wakefield, Corinium, Nottingham, Devizes, Chippenham and Malmesbury.

Over the course of a year, five leading museums of the Wessex Museums Partnership Dorset County Museum, Poole Museum, Russell-Cotes Art Gallery and Museum, The Salisbury Museum and Wiltshire Museum will be sharing the story of Wessex in the wider world by showcasing an artefact from their own outstanding collections to the other partner museums.

Wessex has a rich history connecting the region to countries around the world. Our links to Europe and Asia date back to prehistory. An eventful maritime history connects our ports to North America and beyond. Local collectors brought back to Wessex exotic treasures from their journeys of discovery around the world. The story of Wessex is a truly global one.

Until 4 June 2017, the Tibetan Tea Pot will be on display at Dorset County Museum.  Come and listen to Duncan Walker’s talk and find out more about this beautiful and unusual artefact.

The forthcoming lecture will take place on Friday 28 April 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter


About the Wessex Spotlight Loan: Tibetan Teapot

This Tibetan teapot was given to our co-Founder Sir Merton Russell-Cotes (1835-1921) by the explorer Lieutenant Colonel Sir Francis Younghusband (1863-1942). In 1903-4 Younghusband led a controversial military expedition into Tibet. He became interested in Spiritualism, wrote extensively and became involved in the attempts to climb Mount Everest. World travellers themselves, Sir Merton and his wife Annie (1835-1920), collected items related to famous or infamous people, using them to attract visitors to their luxurious hotel, the Royal Bath and what is now the Russell-Cotes Art Gallery and Museum.

Lunchtime Concert: Lute and classical guitar performed by Kevin Avebury

Kevin Avebury

Kevin Avebury

Kevin (aka Andrew Hurst) studied guitar, lute, piano, composition and figured bass at the Royal College of Music.  His specialisation is:  Continuo realisation (keyboard and fretboard), Renaissance and Baroque music history and compositional techniques.  He has performed concerts as a soloist, in duos, trios and larger ensembles.  He has worked with vocal soloists, small vocal and instrumental ensembles, Early Opera companies, cafes, restaurants, street events, festival and pubs! 

On the strength of the success of improvising ‘Voluntaries’ – a 1680s fascination for lute players then – very rarely done in concerts if at all –  at the Crabchurch Conspiracy weekend talks (lecturer Ronald Hutton amongst others) that were held in Weymouth in early March, Kevin will improvise a few more such Voluntaries on the ‘English Theorbo’ .  As it was a musical feature around the time of Judge Jeffreys, he will be doing an improvised ‘character sketch’ Voluntary (literally an improvised piece on a whim!) based on him.  As part of Kevin’s Musical Director role at the Marine Theatre in Lyme he will also be improvising a Voluntary to depict the tension, high feelings, bitterness, violence, and trauma etc which would undoubtedly have been felt by those involved in the Monmouth Rebellion / civil war also.

Kevin may well be unique in being brave enough to improvise these voluntaries using musical language of the time in concerts or recordings.

There will be other archlute pieces (archlute = ‘English Theorbo’), classical guitar arrangements/ originals and also some 12-string acoustic (fingerstyle) music with a Celtic flavour.

Kevin/Andrew is a key musician in the Bridport Ukelele Projects production of “Flea!” this May and has been appointed co-Musical Director for the Marine Theatre, Lyme Regis’ July production of “Monmouth”, a play covering the events of the 1685 local rebellion. He is also lead guitarist in the Dorchester based rock band Margot Escargot which is set to release three singles this year

The concert takes place in the Dorset County Museum’s Victorian Hall on Thursday 13 April 2017 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Craft Academy: Dragons and Dinosaurs

Fabulous beasts on Roman Mosaic, Dewlish © DCM 2017

Fabulous beasts on Roman Mosaic, Dewlish © DCM 2017

Looking for something to do with the kids this Easter? Come and join us for a morning of messy fun at Dorset County Museum’s Craft Academy on Wednesday during the Easter Holidays, 10.30am – 12.30pm.

The theme for Wednesday 19 April is Dragons and Dinosaurs’. Our special St George’s Day theme event will look at how dinosaur fossils may have been misinterpreted as dragons and fabulous beasts in the past and we will Wyvernlook at the familiar traits they may have shared in folklore and art.

We’ll provide the materials and the inspiration – you’ll create a wonderful piece to take home with you. Even better, it’s absolutely FREE thanks to sponsorship from Battens Solicitors.

Each time you create a masterpiece at one of our sessions, we will stamp your Craft Academy passport. If you collect three stamps we’ll give you a special certificate.

The next Craft Academy sessions for 2017:

  • Wednesday 31 May
  • Wednesday 2 August

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Craft Academy: Learn Printmaking

St. Peters Church, Dorchester engraved by William Barnes

St. Peters Church, Dorchester engraved by William Barnes

Looking for something to do with the kids this Easter?  Come and join us for a morning of messy fun at Dorset County Museum’s Craft Academy on Wednesday during the Easter Holidays, 10.30am – 12.30pm.

The theme for Wednesday 12 April is Printmaking. We’ve been inspired by our current exhibition in the tea room ‘Praise O’Do’set’ – an exhibition of hand painted woodblock prints illustrating the poetry of William Barnes by artist Jennifer Martindale and children will be able to create their own pieces of art using lots of different printing methods.

We’ll provide the materials and the inspiration – you’ll create a wonderful piece to take home with you. Even better, it’s absolutely FREE thanks to sponsorship from Battens Solicitors.

Each time you create a masterpiece at one of our sessions, we will stamp your Craft Academy passport. If you collect three stamps we’ll give you a special certificate.

The next Craft Academy sessions for 2017:

  • Wednesday 19 April
  • Wednesday 31 May
  • Wednesday 2 August

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Archaeology Unearthed: Roman Glass – abundant, bright and beautiful by Dr Denise Allen

Bucknowle Farm Roman Glass Jug - Mark North -DCM © 2017

Bucknowle Farm Roman Glass Jug – Mark North -DCM © 2017

Glass is a versatile and mysterious material – its transformation from basic and cheap ingredients to a clear, enduring and malleable substance is a sort of alchemy.

Come and join us for this interesting talk as Dr Denise Allen explores how the Romans exploited its properties to the full, used it in all sorts of ways, and introduced it to all corners of the Mediterranean world.

Denise Allen began working life as an excavating archaeologist, completed a PhD in Roman Glass at Cardiff University in 1983 and has continued with the specialism ever since. She is Honorary Secretary of the Association for the History of Glass. She was Director of Andante Travels for 17 years, organising archaeological tours all around the world, and led many tours herself. Last year she left the office, moved to Exeter and now works as a freelance guide and lecturer.

The forthcoming lecture will take place on Friday 7 April 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Community Lecture: Changing Energy Sources: Options for Tomorrow by Charles Miller

shaleDepletion of existing fossil fuel reservoirs, together with the difficulty and rapidly increasing financial and environmental costs in reaching remaining deep and difficult reservoirs, is causing rising instability in world energy markets. Charles Miller will talk about the existing fossil-fluid energy and currently-available and emerging alternatives.  This includes Hydraulic Fracturing (Fracking) of shale beds and considers the choices other governments are making and their reasons for doing so. This talk will have been kept updated with new developments. 

With over 25 years as a Consultant Engineer involved with oil and gas Drilling and Well Control and has worked in over sixty countries, Charles Miller has explored fossil fluids as well as sustainability of other energy systems being developed and implemented throughout the world and the reasons for or against making a change.

The forthcoming lecture will take place on Wednesday 5 April 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 6.30pm and talks start at 7.00pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Praise O’Do’set: An exhibition of handpainted woodblock prints illustrating the poetry of William Barnes by Jennifer Martindale

The Fancy Feair at Maiden Newton © Jennifer Martindale 2017

The Fancy Feäir At Maïden Newton © Jennifer Martindale 2017

The Fancy Feäir At Maïden Newton
by William Barnes

The Frome, wi‘ ever-water’d brink,
Do run where shelvèn hills do zink
Wihousen all a-cluster’d roun
The parish tow’rs below the down.
An’ now, vor woonce, at leäst, ov all
The pleäcen where the stream do vall,
There’s woone that zome to-day mid vind,
Wi‘ things a-suited to their mind.
An’ that’s out where the Fancy Feäir
Is on at Maïden Newton.

An’ vo’k,a-smarten’d up, wull hop
Out here, as ev’ry traïn do stop,
Vrom up the line, a longish ride,
An’ down along the river-zide.
An’ zome do beät, wi‘ heels an’ tooes,
The leänes an’ paths, in nimble shoes,
An’ bring, bezides, a biggish knot,
Ov all their childern that can trot,
A-vlockèn where the Fancy Feäir
Is here at Maïden Newton.

If you should goo, to-day, avore
A Chilfrome house or Downfrome door,
Or Frampton’s park-zide row, or look
Drough quiet Wraxall’s slopy nook,
Or elbow-streeted Catt’stock, down
By Castlehill’s cwold-winded crown,
An’ zee if vo’k be all at hwome,
You’d vind em out–they be a-come
Out hither, where the Fancy Feäir
Is on at Maïden Newton.

Come,young men, come, an’ here you’ll vind
A gift to please a maïden’s mind;
Come, husbands, here be gifts to please
Your wives, an’ meäke em smile vor days;
Come, so’s, an’ buy at Fancy Feäir
A keepseäke vor your friends elsewhere;
You can’t but stop an’ spend a cwein
Wileädies that ha’ goods so fine;
An’ all to meake, vor childern’s seäke,
The School at Maïden Newton.

William Barnes was a much loved and respected teacher, clergyman, scholar of languages and poet. Most of his poems are written with a strong Dorset accent as he casts a kindly eye over the lives of the hardworking Dorset rural community.

With these rustic woodblocks, hand carved, handprinted and hand coloured images, Jennifer Martindale has tried to share the spirit of the poems.

The techniques used in this tea room exhibition at the Dorset County Museum, lend themselves to simple kitchen table production.

Jennifer explains “Making pictures uses the calm mindful part of myself, and I aim to share with viewers the immense happiness that planning and making the work creates. A childish glee of playing with colours has never quite left me.  Over the years I have worked in most media, and I still move between painting and printmaking. I have long had an interest in South East Asia and have been influenced by the use of space and the concept of capturing the fleeting moment. The handpainted relief block print techniques of this William Barnes series were carefully chosen to represent the rustic nature of the poems.”

Jennifer’s work will be on view from 4 April 2017 to the 10 June 2017 in the museum’s Tea Room, and it will be FREE to come and view.  Mounted, unframed versions of her work will be for sale during the exhibition.

New Exhibition: ‘Under the Surface’ Paintings and Carvings by David West

Big Fish by David West © Maisie Hill 2017

Big Fish by David West © Maisie Hill 2017

For the very first time, Under the Surface brings together 70 of David West’s most important works from both private and public collections.  Spanning 60 years, it reflects the different strands of his development as a painter, sculptor and craftsman, deftly illustrating the progression and interaction between his use of paint and wood, in what is a landmark exhibition for this Dorset artist. 

Born in 1939, David West went to Sutton and Cheam School of Art (1956 – 1958) and Camberwell School of Art (1958 – 1960) where he studied painting and printmaking.  However, West found the emphasis on accuracy which was a feature of his student days too restrictive, and on leaving Camberwell he began to explore his love of decoration and strong pattern.

In the 1960s his work took an unexpected direction as he began to explore flexible ways to construct paintings within a three dimensional framework, which led naturally on to painting on wood.  Initially, wood was a substitute for canvas, but he soon became interested in its possibilities, and gradually there was more constructing and carving and less painting.

Gig and Fish by David West © Maisie Hill 2017

Gig and Fish by David West © Maisie Hill 2017

His carved wooden models are full of acute observation and humour, and reflect the strong interest West has in architecture, and the self-contained world within buildings.  His dolls houses were inspired by watching his daughter’s imaginative play, and the idea that within the basic structure of a house is a place where imagination can be released.

Some pieces portray actual houses, such as Parnham House and Forde Abbey, others are pure inventions.  Later models include a shop and theatre, and Dorset County Museum is lucky enough to have The Spode Set, a miniature theatre carved in wood based on the ‘Spode Italian’ ceramic design.  West’s woodcut prints became a natural extension of his carving.

West’s move from London to Lyme Regis in 1981 inspired in him a love of the Dorset landscape and coast, and a fascination with the ebb and flow of tides and water.  This influence can be clearly seen in his work as he began to carve sculptures based on walks along the beach at Lyme Regis.  He has taken an active part in life in Lyme Regis, and in the 1990s had a significant role in the restoration of the Town Mill, where there is a room named after him.

In fact, it was the commission to carve and gild a set of organ pipe shades for St Michael’s Church in Lyme Regis which led to using gold leaf to develop the 200 drawings inspired by his trip to Japan in 2008.  Variations of footpaths, waterfalls, fishponds and mountain streams are among the many gilded carvings and woodcut prints in the exhibition.  These were followed by works related to the Dorset landscape and coast, a series of gilded carvings, ‘Night Waves’ and ‘Moon’, combining influences from both Japan and Dorset.

Dorset County Museum is pleased to be welcoming David West back following a successful exhibition at the Museum almost 30 years ago.

This exhibition is supported by the Mansel-Playdell & Cecil Trust and PGP

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Lunch Time Concert – Dorchester Piano Quartet

Dorchester Piano QuartetOn Thursday 16 March 2017 at 1.00pm, the Dorchester Piano Quartet will be playing a lunchtime concert at Dorset County Museum.

The Dorchester Piano Trio was formed when Russell Dawson (violin) and Peter Oakes (piano) played a duo concert and Sally Flann, who was in the audience, introduced herself as a cellist who would be pleased to play Trios. After around ten years of the Dorchester Piano Trio, Russell stood down and Jenny Curiel (violin) and Pasha Willis (viola) joined Sally and Peter to form the Dorchester Piano Quartet.

This March concert includes Mozart Piano Quartet in G minor K478, Mahler Piano Quartet and Halvorsen Passacaglia for violin and viola

The concert takes place in the Dorset County Museum’s Victorian Hall on Thursday 16 March 2017 at 1.00pm. The performance is FREE although a donation of £3 is encouraged to cover costs.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter